Sarah -
I remember quite well the first time I watched "The Invasion". It was
based on your suggestion after the DVD was released with the animated episodes.
It was the first full Troughton story I had ever seen, outside of "The Two
Doctors" and "The Five Doctors". I liked him from those stories, but loved him
after watching "The Invasion". It’s almost the perfect Second Doctor story.
Harry -
This is one of my favourites and I loved watching it
again.
Incredibly, this is Patrick Troughton's fourth Cybermen story in
three years, but it is easily the best one.
Sarah -
Absolutely! It’s
another Cybermen-invasion-of-Earth story, but never has it been done so well. I
love everything about this story! Oh dear, now that I've said that, I'm sure to
discover things I don't love as we go along, aren't I?
Harry
-
Considering that the first four episodes have a lot of running around in
circles and the Cyber-reveal doesn't happen until the end of episode four, they
were still entertaining. There's a lot of stuff going on outside the plot to
keep things interesting.
First off, the animation of the two missing
episodes is another moment of serendipity for Doctor Who. It's fun to watch our
friends in animated form, and the black and white looks stylish as
hell.
Sarah -
The animation is gorgeous. The animators did a
fantastic job of capturing everyone’s look and facial expressions. I know an
animated restoration of "The Massacre" is due out soon and I can’t wait to see
it!
Harry -
There's a great musical score here too. The missile
attack on the TARDIS is accompanied by eerie psychedelic chords reminiscent of
early Pink Floyd ("Dark Side of the Moon", geddit?). Meanwhile the street scenes
in and around London get jangly, film noir music like something from
Portishead.
Sarah -
Yes, yes, I get it. You had to bring up Pink
Floyd, didn’t you?
Harry -
I like the Pink Floyds! Anyway, visually,
there's some fantastic location filming in this story, and the camera work
stands out too.
Sarah -
It’s all shot so beautifully. Everything ends
up looking so much more expensive than it actually was – probably because the
BBC didn’t have to build so many of the sets. There’s just a great texture to
the visuals, which we haven’t seen in a while.
Harry -
If it weren't
for all these little extras that helped move the story along, I'd have gotten
really tired, really fast, of everyone barking about "stupid computers"
repeatedly. Yes, you all think computers suck - we get it!
Sarah -
That was a bit odd, wasn’t it? The Doctor was all pro-computer back in the
WOTAN days, wasn’t he? I don’t imagine the First Doctor ranting about how “I
hate computers and refuse to be bullied by them.”
The TARDIS crew arrives
in London, having received a lift from an unknown man who meets a terrible end.
We find out later that he’s a UNIT member, but everyone seems to think that
he’ll be just fine. I felt very sad for him.
Then we meet Isobel, niece
of Dr. Watkins, a computer scientist who is renting the home of our old friend
the yeti chaser, Dr. Travers. Isobel. Oh dear, what to say of Isobel?
Harry -
Our friend Rob Shearman says quite a lot of nasty things
about Isobel, oh my! His antipathy towards her might be a bit tongue in cheek,
but he's not that far off.
Sarah -
That could be almost my favorite
thing written by Rob in the entire book!
Harry -
She's an odd one,
with her wall scribblings and marathon photo sessions. Later in the story, she
sneaks down to the sewers to photograph Cybermen, and the photos don't turn out
very good. It begs the question whether or not she's a capable photographer in
the first place.
Sarah -
You would think she’d be able to get some
aspiring models to work for free, wouldn’t you? Maybe she really isn’t very
good.
I think my favorite Isobel moment is when she’s taking photos of
Zoe and Jamie wanders into the frame, only to be dismissed with, “No, not you.”
Poor Jamie can’t catch a break sometimes!
Harry -
If anything, she's a
survivor. Photographing herself if need be, then ignoring military commands if
need be. She makes it to the end of the story and hooks up with Captain Turner.
They way they carried on flirting throughout the story, they probably nipped
behind some shrubs for a shag as soon as the TARDIS vanished.
Children's
programme? Oh yes, back to Doctor Who.
Sarah -
Looking at my notes, I
wrote, “Get a room, you two!” Still, I hope it all worked out for them. I wonder
how many fictional babies have been born because of the Doctor.
Harry -
This is a gritty story with lots of sinister goings on before the big
Cybermen reveal, but there are also plenty of comic moments. Packer is an idiot.
Almost too much of an idiot, the way he haplessly allows the Doctor and Jamie to
escape from International Electromatics HQ. That scene where he's frantically
using his wrist communicator, with his eyes desperate and his hair in disarray,
and Vaughn barking at him all the while... it was pathetic really, but funny
for the kids I'm sure.
Sarah -
What a pathetic lackey. I almost felt
badly for Packer at times. He was just so inept. Even Vaughn knows he’s
useless: “And please don’t fail this time. There’s a good fellow.”
Still,
Packer has the sense to doubt that Vaughn’s plan will work. When Vaughn
declares, “A few minutes, Packer, and I shall control the world,” Packer
responds with, “You? Are you sure?” Maybe he’s not as dumb as we
think!
Harry -
Also amusing was the canoe scene. Yes, a canoe scene,
in the middle of London, in a Doctor Who story. Wild!
Sarah -
I love
the canoe scene! A definite runner up for lasting image.
Harry -
Then
there's UNIT, freshly minted, with their very own cheery, "can do" theme music.
Sarah -
The UNIT theme cheered me every time it played.
Harry -
Who better to lead this group but Alistair
Lethbridge-Stewart and his magical moustachio? Why did the Brigadier become such
a popular character? My theory is the moustache. It's all about the moustache.
Whether on film or animated, it has a life of its own!
Sarah -
I
suspect it’s the combination of his moustache and the smile that plays so easily
upon his face. I found The Brig positively adorable whenever he smiled in this
story. Is One allowed to find The Brig adorable?
Harry -
One
is!
Sarah -
And don’t forget our new old friend Benton! He doesn’t
have a lot to do in this story, but it’s Our Benton!
Harry -
The
ultimate man for all jobs, Our Benton.
Sarah -
I find it hard to
believe that we’ve come this far without mentioning what must certainly be one
of the greatest performances ever in the history of Doctor Who – Kevin Stoney as
Tobias Vaughn. Vaughn is the most interesting megalomaniac we’ve met since
Mavic Chen in "The Daleks’ Master Plan". Oh wait, there’s a reason for that –
Kevin Stoney also played Mavic Chen!
Harry -
And even though it's
virtually the same role (megalomaniac human stooge for alien monsters), the
performances could not have been more different. While Mavic Chen was something
of a comic rogue, Tobias Vaughn is all icy charm.
Sarah -
I
know we both loved his performance back in Season 3, but Stoney takes it to a
whole new level in "The Invasion". Vaughn is smooth and charismatic – and so sure
he’s in control. We know, of course, how foolhardy this will prove to be, but I
couldn’t take my eyes off of Vaughn whenever he was on screen.
Harry
-
His moments of explosive rage were terrifying!
As pointed out by Rob
and Toby, this isn't so much a Cyberman story as it is Tobias Vaughn's story.
He is present throughout, and no matter how hard our friends try to escape him,
we always end up back in his stylish office, watching him issue cold
commands.
Sarah -
Vaughn is definitely the villain of this piece.
The Cybermen are more set dressing then villains.
Harry -
The
Cybermen could have been any alien entity really. They don't do all that much
aside from some sewer skulking and marching around London landmarks. They look
awfully nice and shiny in their new skins, though.
Sarah -
Don’t they
just look stunning?
Harry -
Things got away from me a bit when we
got to the final two episodes and the whole Russian rocket plot. And I might be
a bit thick, but I kept forgetting that the UNIT HQ scenes were taking place
aboard a plane.
Sarah -
We’re both a bit thick, then, because I did,
too!
Harry -
There were so many new and interesting characters in
this story that Jamie and Zoe seemed somewhat left out. Jamie was literally
taken out of the action (another damned holiday!) and Zoe only came in at the
end to put her math skills to work. Although I did admire the fact that she
survived the ordeal in the sewers with her feather boa still
intact.
Sarah -
Jamie did get some good action scenes – and the
seemingly requisite ladder-climbing scenes.
Harry -
Always popular,
those.
Sarah -
I found myself vacillating between loving Zoe’s boa and
wondering why the hell she was still wearing it! Speaking of Zoe’s wardrobe, did
you notice how she had a sudden costume change late in the story from her
mini-dress back to her spangly jumpsuit? How did she manage that?
Harry
-
That was odd. Oddest of all was how little the Doctor actually did here.
He was reduced to the role of a messenger at times, conveying information
between Vaughn and UNIT as Vaughn's plans disintegrated and all hell broke
loose on the ground. The long missile launch / Russian rocket sequence at the
end rendered the Doctor an observer with the rest of us. That was the only real
sour note for me in an otherwise fantastic, stylish and compelling
tale.
Sarah -
There was a definitely overuse of stock footage, wasn’t
there? I guess we’ve got to expect some padding in these eight-parters.
Still, as long stories go, this is a cracker! Still one of my favorites
and I savored the chance to revisit it.
Harry -
Me too!
Sarah
-
Best Line: “If there’s trouble to be found, the Doctor and Jamie can’t miss
it.”
Favorite moment: Vaughn calling Packer on his video screen, only to
have a Cyberman’s face appear. Chilling!
Lasting Image: This one’s
obvious: the Cybermen in front of St. Paul’s – one of the most iconic images in
Doctor Who history.
10/10
Harry -
Best line:
"Packerrrr!"
Favourite moment: The Cybermen open fire and the Doctor
scrambles away, covering his arse and yelping in fear.
Lasting image: St.
Paul's, yup!
9/10
Our marathon continues with Story #47 - The Krotons...
Two fans of Doctor Who, one marathon viewing of every episode of the series from 1963 to the present.
Running through corridors is optional.
Running through corridors is optional.
Sunday, November 18, 2012
Tuesday, November 6, 2012
Story #45 - The Mind Robber (1968)
Sarah -
What an odd story. I really wasn’t sure how I was going to feel about it at the beginning. The story felt like a combination of "The Edge of Destruction" and "The Celestial Toymaker", neither of which were favorites of mine.
Harry -
Agreed on both references. And as we learn from the DVD featurette, external influences resulted in even more oddities to this story.
The entire first episode was tacked onto the production, without any money for actors, sets or props. The result, while minimalist to say the least, is an interesting prelude to the story proper. Before we get to that, however, the story starts Hartnell-style, with a continuation from the previous adventure.
Sarah -
The Doctor is forced to use an emergency unit to escape the volcanic eruption on Dulkis, and the TARDIS is removed from normal space and time. The travelers find themselves in an endless void, where they are tempted with visions of home and stalked by white robots. When they return to the TARDIS and believe they are escaping, the TARDIS suddenly explodes. The Doctor is flung into space, while Zoe and Jamie cling to the TARDIS.
That’s a very concise description I’ve typed there, but it doesn’t begin to capture the surrealism of this story. It was a bit thrown together. The Dominators was originally planned as a six-parter, but got chopped down to five. To fill the gap between stories, this episode was hastily created, and somehow it works.
Harry -
After seeing so many Troughton stories begin with the TARDIS landing on Earth and the Doctor frolicking around with his friends, this arresting opener was a welcome change.
Sarah -
As a one-off episode, it’s fun to watch. Everyone gets the chance to do interesting things while in the white void. I especially liked the shot of Jamie and Zoe all in white. It was beautiful, yet frightening. I didn’t know what to think when the TARDIS blew apart, but loved the drifting-through-space visuals. I’ve seen the iconic image of Zoe and Jamie clinging to the TARDIS console, but, never having seen this story before, I never knew the context. It really works well, despite the "bit for the dads" draping of Zoe on the console.
Harry -
Zoe's "bum shot" is legendary, but I liked how the spinning console was silently enveloped in clouds. Meanwhile, the Doctor seems somewhere else entirely, lost in a trance. The eerieness and uncertainty of what we have seen is a great set-up for the story proper.
Sarah -
Loved the silence. It was so much more effective than any sound would have been.
Harry -
Once we get to Episode Two, we find ourselves on more familiar ground, so to speak.
The Doctor and his friends find themselves in a mysterious forest, split up and encountering strange characters and pitfalls. Zoe literally falls into a pit, while Jamie has his face blown away by a Redcoat. Enter Hamish Wilson!
Sarah -
I know Hamish was brought in as a replacement when Frazer Hines contracted chickenpox, but what a brilliant idea! It was clear that the Doctor was selecting the incorrect face for Jamie, but I had no idea it was happening for a non-story-driven reason.
Excellent Job by Hamish Wilson! He wasn’t Jamie, but gave a perfect Jamie performance. Because they had to accept so much, the Doctor and Zoe just rolled with the replacement Jamie.
Harry -
I love Hamish Jamie!
Sarah -
I imagine Frazer would have been motivated to recover had he heard what a good performance Wilson was turning out.
Harry -
The alternate Jamie is one of those moments of pure serendipity in Doctor Who. An awkward situation that produced a memorable performance. I don't think we'll see another companion performed by two different actors until Amelia/Amy Pond, will we?
Sarah -
I can’t think of one offhand. Send Toby a tweet to find out.
Harry -
I wonder if he gets pestered by a lot of Doctor Who casting questions from strangers. He is, after all, the Doctor Who Wiki in human form.
Sarah -
The Doctor also meets A Stranger, who we later discover to be Gulliver. I loved that Gulliver only spoke in lines from Gulliver’s Travels.
Harry -
Simple but brilliant. I can imagine story writer Peter Ling combing through Swift's original text looking for just the right lines.
Sarah -
I found the children creepy and horrid, but quite liked Rapunzel. Christine Pirie was perfect as the princess waiting for rescue. Her disappointment upon discovering Jamie was not a prince there to rescue her is something to which all of us Jamie fans can relate. Her resignation when the Doctor asks if he can use her hair as a rope is perfect, “You may as well, everyone else does..." It made me hope that Rapunzel would end up with Gulliver, or at least Karkus.
Harry -
So many characters! I love this! From literary characters like Rapunzel and Gulliver to mythical persona like Medusa and the Minotaur, to futuristic figures like the Karkus, it's a constant stream of surprises. If I had seen this story as a kid, it might have been my most favourite Who tale ever.
And the whole thing is totally bonkers. From the forest of words to the labyrinth to the citadel, it's one crazy dilemma after another for our friends in this Through The Looking Glass world.
What sucked was that once the Doctor confronted the Master (eep!), everything kind of unravelled. The stream of fictional characters became an avalanche (Cyrano, D'Artagnan, Lancelot, Blackbeard), while the true villain - the alien brain - was just lame. The story sort of petered out and Episode Five ended as inconclusively as anything we've ever seen. What did you make of it all?
Sarah -
The challenge in placing protagonists in this surreal world is that the story will eventually need to be wrapped up. Emrys Jones was fabulous as the Master. He’s got the challenge of speaking for both the author and the higher power that is controlling him and knocks it out of the park.
Harry -
He certainly had an air of dangerous enthusiasm about him.
Sarah -
Alas, it’s not enough to save the story. It’s all rather predictable at the end, as the Doctor manages to save the Master, while Zoe and Jamie overload the computer. The Master is bundled off into the TARDIS and they take off – after what has to be the shortest episode ever.
This story has so many great elements, I can only wish the plot was more than the usual take-over-Earth scenario in the end.
Harry -
Yeah, while the kid in me loved the characters and visuals of this story, the grown-up me couldn't help frown at the weak resolution.
There is an interesting theory floating out there in cyberspace. A while ago, I read someone's suggestion that most of "The Mind Robber" was actually just a nightmare that the Doctor had. As evidence, it was noted that early in the story, the Doctor sits down in a chair in the console room and shuts his eyes. Then, at the start of the next story, "The Invasion", the Doctor is again seen seated in a chair, so all the events between those two moments might have been a phantasm, all in the Doctor's mind. It's an interesting theory anyway!
Sarah -
Works for me!
Best Line: The Doctor, looking for a place to hide in the forest of letters: “Oh, thank goodness for the letter C.”
Favorite moment: Zoe taking on Karkus -- and winning!
Lasting Image: Jamie and Zoe clinging to the TARDIS console.
6/10
Harry -
Best Line: "When someone writes about an incident after it's happened - that's history... But, when the writing comes first - that's fiction."
Favourite Moment: Zoe kicks the Karkus' arse.
Lasting Image: Jamie and Zoe with the white robots.
7/10
Our marathon continues with Story #46 - The Invasion...
What an odd story. I really wasn’t sure how I was going to feel about it at the beginning. The story felt like a combination of "The Edge of Destruction" and "The Celestial Toymaker", neither of which were favorites of mine.
Harry -
Agreed on both references. And as we learn from the DVD featurette, external influences resulted in even more oddities to this story.
The entire first episode was tacked onto the production, without any money for actors, sets or props. The result, while minimalist to say the least, is an interesting prelude to the story proper. Before we get to that, however, the story starts Hartnell-style, with a continuation from the previous adventure.
Sarah -
The Doctor is forced to use an emergency unit to escape the volcanic eruption on Dulkis, and the TARDIS is removed from normal space and time. The travelers find themselves in an endless void, where they are tempted with visions of home and stalked by white robots. When they return to the TARDIS and believe they are escaping, the TARDIS suddenly explodes. The Doctor is flung into space, while Zoe and Jamie cling to the TARDIS.
That’s a very concise description I’ve typed there, but it doesn’t begin to capture the surrealism of this story. It was a bit thrown together. The Dominators was originally planned as a six-parter, but got chopped down to five. To fill the gap between stories, this episode was hastily created, and somehow it works.
Harry -
After seeing so many Troughton stories begin with the TARDIS landing on Earth and the Doctor frolicking around with his friends, this arresting opener was a welcome change.
Sarah -
As a one-off episode, it’s fun to watch. Everyone gets the chance to do interesting things while in the white void. I especially liked the shot of Jamie and Zoe all in white. It was beautiful, yet frightening. I didn’t know what to think when the TARDIS blew apart, but loved the drifting-through-space visuals. I’ve seen the iconic image of Zoe and Jamie clinging to the TARDIS console, but, never having seen this story before, I never knew the context. It really works well, despite the "bit for the dads" draping of Zoe on the console.
Harry -
Zoe's "bum shot" is legendary, but I liked how the spinning console was silently enveloped in clouds. Meanwhile, the Doctor seems somewhere else entirely, lost in a trance. The eerieness and uncertainty of what we have seen is a great set-up for the story proper.
Sarah -
Loved the silence. It was so much more effective than any sound would have been.
Harry -
Once we get to Episode Two, we find ourselves on more familiar ground, so to speak.
The Doctor and his friends find themselves in a mysterious forest, split up and encountering strange characters and pitfalls. Zoe literally falls into a pit, while Jamie has his face blown away by a Redcoat. Enter Hamish Wilson!
Sarah -
I know Hamish was brought in as a replacement when Frazer Hines contracted chickenpox, but what a brilliant idea! It was clear that the Doctor was selecting the incorrect face for Jamie, but I had no idea it was happening for a non-story-driven reason.
Excellent Job by Hamish Wilson! He wasn’t Jamie, but gave a perfect Jamie performance. Because they had to accept so much, the Doctor and Zoe just rolled with the replacement Jamie.
Harry -
I love Hamish Jamie!
Sarah -
I imagine Frazer would have been motivated to recover had he heard what a good performance Wilson was turning out.
Harry -
The alternate Jamie is one of those moments of pure serendipity in Doctor Who. An awkward situation that produced a memorable performance. I don't think we'll see another companion performed by two different actors until Amelia/Amy Pond, will we?
Sarah -
I can’t think of one offhand. Send Toby a tweet to find out.
Harry -
I wonder if he gets pestered by a lot of Doctor Who casting questions from strangers. He is, after all, the Doctor Who Wiki in human form.
Sarah -
The Doctor also meets A Stranger, who we later discover to be Gulliver. I loved that Gulliver only spoke in lines from Gulliver’s Travels.
Harry -
Simple but brilliant. I can imagine story writer Peter Ling combing through Swift's original text looking for just the right lines.
Sarah -
I found the children creepy and horrid, but quite liked Rapunzel. Christine Pirie was perfect as the princess waiting for rescue. Her disappointment upon discovering Jamie was not a prince there to rescue her is something to which all of us Jamie fans can relate. Her resignation when the Doctor asks if he can use her hair as a rope is perfect, “You may as well, everyone else does..." It made me hope that Rapunzel would end up with Gulliver, or at least Karkus.
Harry -
So many characters! I love this! From literary characters like Rapunzel and Gulliver to mythical persona like Medusa and the Minotaur, to futuristic figures like the Karkus, it's a constant stream of surprises. If I had seen this story as a kid, it might have been my most favourite Who tale ever.
And the whole thing is totally bonkers. From the forest of words to the labyrinth to the citadel, it's one crazy dilemma after another for our friends in this Through The Looking Glass world.
What sucked was that once the Doctor confronted the Master (eep!), everything kind of unravelled. The stream of fictional characters became an avalanche (Cyrano, D'Artagnan, Lancelot, Blackbeard), while the true villain - the alien brain - was just lame. The story sort of petered out and Episode Five ended as inconclusively as anything we've ever seen. What did you make of it all?
Sarah -
The challenge in placing protagonists in this surreal world is that the story will eventually need to be wrapped up. Emrys Jones was fabulous as the Master. He’s got the challenge of speaking for both the author and the higher power that is controlling him and knocks it out of the park.
Harry -
He certainly had an air of dangerous enthusiasm about him.
Sarah -
Alas, it’s not enough to save the story. It’s all rather predictable at the end, as the Doctor manages to save the Master, while Zoe and Jamie overload the computer. The Master is bundled off into the TARDIS and they take off – after what has to be the shortest episode ever.
This story has so many great elements, I can only wish the plot was more than the usual take-over-Earth scenario in the end.
Harry -
Yeah, while the kid in me loved the characters and visuals of this story, the grown-up me couldn't help frown at the weak resolution.
There is an interesting theory floating out there in cyberspace. A while ago, I read someone's suggestion that most of "The Mind Robber" was actually just a nightmare that the Doctor had. As evidence, it was noted that early in the story, the Doctor sits down in a chair in the console room and shuts his eyes. Then, at the start of the next story, "The Invasion", the Doctor is again seen seated in a chair, so all the events between those two moments might have been a phantasm, all in the Doctor's mind. It's an interesting theory anyway!
Sarah -
Works for me!
Best Line: The Doctor, looking for a place to hide in the forest of letters: “Oh, thank goodness for the letter C.”
Favorite moment: Zoe taking on Karkus -- and winning!
Lasting Image: Jamie and Zoe clinging to the TARDIS console.
6/10
Harry -
Best Line: "When someone writes about an incident after it's happened - that's history... But, when the writing comes first - that's fiction."
Favourite Moment: Zoe kicks the Karkus' arse.
Lasting Image: Jamie and Zoe with the white robots.
7/10
Our marathon continues with Story #46 - The Invasion...
Subscribe to:
Posts (Atom)