Two fans of Doctor Who, one marathon viewing of every episode of the series from 1963 to the present.

Running through corridors is optional.

Wednesday, June 21, 2017

Story #169 - Tooth and Claw (2006)


Sarah - 
What a relief! After "New Earth", I was worried that my recollections of all of the series two stories would be wrong. I enjoyed "Tooth and Claw" just as much as I remembered.


Harry -
Hopefully we can write off "New Earth" as an isolated clunker. One thing I appreciate about our marathon re-viewing of every Doctor Who story ever is that we are now over a decade removed from the beginning of the David Tennant era. Back then, I'm sure we loved every story because there was nothing else to compare them to.   We really, really wanted to love them and make sure everyone else in the world loved them so the show could go on. Today we have over a decade's worth of New Who canon that enables us to give these stories a more comparative review.

All that to say, I still really like "Tooth and Claw"!

How could I not? It's got the Doctor and Rose having fun, it's got Scottish Officers and Gentlemen, it's got a terrifying monster, and it's got one of my own personal squees, a Victorian setting and Queen Victoria herself. PERMISSION TO SQUEEEEE?!?!


Sarah -
Squee away! My happy thing was the fact that Victoria is played by the lovely Pauline Collins, "the companion who almost was" when she portrayed Samantha in "The Faceless Ones". Unfortunately for us, she turned down the offer of becoming a companion upon the departures of Polly and Ben. Outside of Doctor Who, Collins will always have a place in my heart for her portrayal of Sarah on Upstairs, Downstairs. She makes a smashing Victoria.


Harry -
She's also one of the first people to have appeared in both classic and new Who. She was beaten to that honour by only Nisha Nayar, who played the female programmer on Satellite 5 in "Bad Wolf/The Parting of the Ways". Previous to that, Nayar was a Red Kang. Red Kangs are best!


Sarah -
Red Kangs are always the best! I love Victoria’s first meeting with the Doctor and Rose, especially when he introduces himself as Doctor James McCrimmon. My heart melts!


Harry -
Tennant got to use his natural accent for a couple of scenes.


Sarah -
I’m still sad that he was made to use an English accent for the series.


Harry -
Very glad the same decision was not made by (or for) Peter Capaldi.


Sarah -
The horror! I don't even want to contemplate that. I like that the story makes use of the false accent, giving us the moment when his accent slips back to English, which the Queen catches immediately. She never fully trusts the Doctor after that.


Harry -
The Doctor botched the TARDIS landing by a hundred years, but it was worth it to meet the Queen! They could always try for that Ian Dury concert some other time. I wonder if RTD had a personal connection to that particular concert in 1979. He would have been 16 years old at the time. Look at me being all Toby in this review!


Sarah -
Watch out, Toby! 

Speaking of Dury, my daughter and I just heard "Sex & Drugs & Rock & Roll" on the radio the other day. She was enchanted and wanted to know more about him. This story was perfect timing.


Harry -
The Queen is travelling via coach to Balmoral because the railway was blocked by a fallen tree. Her party is en route to the manor house of Sir Robert MacLeish to stay for the night. The Queen finds Rose and the Doctor a curious pair, and invites them along.

Now, in the cold opener of "Tooth and Claw", we saw strange happenings going on at the MacLeish estate. The place has been invaded by a group of monks who used martial arts to subdue the staff and lock them away with a wheeled cage. Inside the cage sits a strange figure who terrifies everyone.


Sarah -
What’s your take on the "Crouching Tiger, Hidden Dragon" monks? I find it a bit silly and I’m not sure we’re ever given an explanation for their kung fu skills. We don’t even see much of them after the cold open.


Harry -
The kung fu monks -- who turned from God to worship the wolf -- felt very out of place in a setting like Scotland. The purpose of their martial arts proficiency seemed to be to give director Euros Lyn the opportunity to film a stylish action scene.


Sarah -
I guess there is that.


Harry -
Sir Robert attempts to dissuade the royal party from entering his home, but the Queen does not hesitate and leads the TARDIS team inside. I was initially amused by their "we are not amused" wager, but I thought RTD overplayed the gag, as he did with Harriet Jones in "The Christmas Invasion".


Sarah -
That got really old really fast. I often find the Doctor and Rose irritating, but in Tooth and Claw they're not as annoying as they can be. Fortunately, the story gives both of them the opportunity to rise above their childish behavior.


Harry -
The wager could have been wrapped up during the scene when they were looking at the large telescope built by Sir Robert's father, but no.


Sarah -
While the Doctor dines with Sir Robert and The Queen, Rose is abducted and chained up with Lady Isobel, Sir Robert’s wife, and the household staff in the cellar, facing down a monk in the wheeled cage. Rose is the only one brave enough to address the monk, asking why they should be afraid when he’s the one in a cage. The monk reveals that he is possessed by an alien presence and plans to infect Victoria, creating the Empire of the Wolf...and then he begins to transform into a wolf. Always quick on her feet, Rose comes up with a plan to get everyone out of the cellar.


Harry -
Rose rallies everyone to pull down the chain that everyone is shackled to, just as the Doctor arrives. As everyone flees, he pauses to admire the beauty of the creature before legging it himself.


Sarah -
I laughed at Rose’s “Where have you been?” when the Doctor finally showed up. It sounded so much like a Jackie line.


Harry -
This story has always stood out for me because of the monster. The werewolf is unlike so many of the slow-shambling, easily-outwitted monsters of the Whoniverse. This beast is purely savage and cannot be reasoned with. At no moment in the story does it show any mercy to its victims, or show any sign of reasoning. Neither the Doctor nor anybody else can talk sense to it. It wants to kill, simple as that, and that is truly terrifying.


Sarah -
It wants the queen and nothing else matters. The scenes of the wolf rampaging through the house are genuinely scary.


Harry -
Faithful to the wolf, the monks attempt to seize the queen. Having been the target of multiple assassination attempts over the course of her reign, she is prepared to defend herself. Cornered by the monks' leader, she calmly draws a pistol from her purse and shoots him. Good on ya, yer majesty!


Sarah -
No messing with this queen, Wolfie.


Harry -
Pauline Collins delivered a very steely portrayal of the monarch. Not once does she flinch or show distress as a chase around the manor ensues. 

The wolf terrorizes everyone, picking off residents of the house and trapping the Queen in the library with the Doctor, Rose and Sir Robert. What a fortuitous place to get cornered. "You want weapons," the Doctor asks, "We're in a library. Books! Best weapons in the world. This room's the greatest arsenal we could have."


Sarah -
The Doctor has never spoken a truer truth.


Harry -
Having discovered that the library was lined with oil of mistletoe, a natural repellant to wolves, the Doctor suspects that Sir Robert's father knew about the threat and prepared the house for this eventual assault. His mind begins to whir.


Sarah -
The Doctor licking the mistletoe-oiled walls was brilliant. Tennant is at his best when he’s in his all-out Doctor mode.


Harry -
Unlike his "throw everything together to produce a miracle cure" solution in "New Earth", here he does some genuine deduction to formulate a plan.


Sarah -
He even gets in a pointed dig at Sir Robert, “Your father got all the brains, didn’t he?” Poor doomed Sir Robert. 

They escape from the room, only to encounter the wolf again. Fortunately, Lady Isobel is there to save the day. Having noticed that the monks are wearing mistletoe wreaths, she and her maid boil mistletoe in water, which they throw at the beast. She and Sir Robert have a touching moment before she and the maids head back to the kitchen and the rest of the crew head to the observatory. This will be the last time Lady Isobel and Sir Robert are together, as he sacrifices himself to buy time for the Queen to escape.

Earlier in the story, the Doctor had wondered about the telescope that wasn’t a proper telescope. This is where things get a little shaky, as it turns out Sir Robert’s father and Prince Albert designed the telescope as a trap for the wolf -- and the missing piece is the huge diamond the Queen is carrying in her bag. (Finally, we know what the queens are carrying in their purses!)


Harry -
Diamonds and pistols!


Sarah -
They're a queen's best friends! The diamond is fitted and the wolf, which has been terrorizing the area for 300 years is vanquished. It returns to human form and the poor boy who had been possessed asked to be released. The infection of the wolf has been eliminated without passing itself onto the Queen...or has it? The Doctor notices blood on Victoria’s wrist and is concerned she may have been bitten. She brushes it off as having been caused by a splinter from the door. 

The next morning they are dubbed Sir Doctor of TARDIS and Dame Rose of the Powell Estate -- and then promptly banished from the Empire. Really, its surprising it hasn’t happened before now. Having gotten Victoria to say, “I am not amused,” the Doctor and Rose saunter back to the TARDIS, speculating on the royal family’s status as werewolves.


Harry -
Entirely plausible in the Whoniverse.


Sarah -
It really would explain a lot. Meanwhile, Victoria has her own plans. When Lady Isobel says she will no longer live at the Torchwood Estate, the Queen declares that she will charter the Torchwood Institute, which will research and fight enemies of the Empire, including the Doctor. Should he return, Torchwood will be waiting.


Harry -
I'm surprised there haven't been any series of written or audio stories about Torchwood in the Victorian era. I would buy!


Sarah -
Coming from Big Finish in 2019, no doubt. And we will continue to give them all our money.


Harry -
Well, overall this was a merrie historical romp and a true chiller. Pauline Collins was the star, and she will even return for a quiet cameo as the Queen in the Capaldi era.


Sarah -
And we will all cheer!


Harry -
The wolf was the best new monsters in a long while, probably helped by the fact that it remained a one off and hasn't been hauled back for increasingly-weaker return engagements. 

Sarah, I literally want to stop typing right now so we can get to the next story!


Sarah -
I have been waiting for this moment since we started this project. Let's go see a dear old friend! 

Best Line: The Doctor to Sir Robert on the presence of the monks in his house: “They were bald, athletic, your wife was away. I thought you were happy.”

Favorite Moment: The Doctor extolling the virtues of the library.

Lasting Image: The rampaging wolf.

7/10


Harry -
Best Line: the Doctor's ode to books.

Favourite Moment: the Queen calmly shoots her would-be captor.

Lasting Image: Pauline Collins as Queen Victoria of course!

8/10







Our marathon continues with Story #170: School Reunion...


Monday, June 5, 2017

Story #168 - New Earth (2006)


Harry -
"So where we going?"

"Further than we've ever gone before."

...and the TARDIS lands on a futuristic, Earth-like planet. It's the year 5,000,000,023 and this is New Earth, built in a rush of nostalgia after the original was burnt to ashes by the sun. It's not a bad knock off. The grass smells like apples, but the architecture is familiar. This chill opening scene lasts long enough for the Doctor and Rose to sprawl out and watch flying cars pass overhead. Then the psychic paper acts up, with a message telling the Doctor that someone in a nearby hospital would like to see him.


Sarah -
The first visit to an alien planet in NuWho! I hadn't thought about how Earth-bound Series 1 is until I read this factoid. The alien planet, of course, is New Earth, so maybe it's not quite a proper alien planet. 

It's also David Tennant's first full episode and he finally has the opportunity to do all the Doctory things he had probably been practicing for the previous thirty years. On a side note, doesn’t Tennant look impossibly young? He’s a baby Doctor here!


Harry -
And he delivers some familiar lines right away. His very first "I'm sorry. I'm so sorry." as well as his very first "I'm the Doctor." We'll be hearing those again throughout this era.


Sarah -
New Earth is one of the episodes in Series 2 that I was especially looking forward to watching again. Unfortunately, it didn't live up to my memories of the story.


Harry -
This story helped get me over my initial bad reaction to the Tenth Doctor. It was great that he was way more chill here.

It's a curious start to season two, in that "New Earth" is billed as a sequel to "The End of the World".


Sarah -
Which we’re reminded of when Rose mentions the events of “The End of the World” as their first date. Oh, ick. This is going to be a long season, Old Boy.


Harry -
Yes, it's the era of the Doctor having a girlfriend. Some folks love it, others don't and I'm sure we are both among the latter. 

Rather than a sequel, I found "New Earth" to be more or less a repeat of "The End of the World". The Doctor takes Rose deep into the future to see the Earth as never imagined. We meet some new aliens, in this case a curious group of patients in hospital ward 26 and their caregivers, the Sisters of Plenitude. The Doctor will rage at their moral crimes later in the story, but the first villain to be revealed, almost immediately, is once again Cassandra, the "last human" from "The End of the World". It's all very samey.


Sarah -
I remember being amused by the return of Cassandra when this first aired. This time, I found her much less charming.


Harry -
I forgot how cruel and elitist she was. Back in a new slice of skin, Cassandra has designs on possessing a full human body again, and with the help of her clone servant Chip she lures Rose to her hiding place beneath the hospital. Rose got separated from the Doctor on the ground floor. The Doctor had gone up to ward 26 and Rose hopped in the next available elevator thinking to follow, only hers was programmed to descend. After an amusing disinfectant shower scene, our friends emerge.


Sarah -
The shower scene is memorable. Rose is startled by the spray and starts feeling the walls for an off button. By the end, she’s enjoying the dry-off. The Doctor, meanwhile, takes it all in stride.


Harry -
The Doctor observes several patients who are near death, before finding the Face of Boe having a nap. One of the feline nurses is keeping him company and she shares some legends about her patient with the Doctor: how he has lived hundreds, perhaps thousands of years, waiting to impart his final secret to a lone wanderer. Gee, emotes the Doctor, that could be me!


Sarah -
If anyone should have his disembodied head popped into a tank, it’s the Tenth Doctor -- the Lonely God.


Harry -
Meanwhile, Rose comes face to flesh with Cassandra, and is tricked into stepping through a device that allows Cassandra to take over her body.


Sarah -
Apparently, Billie Piper asked RTD to let her do some comedy after all the heavy drama of Series 1, which leads us to the body swapping. Piper gives a great performance as Cassandra-in-Rose’s-body, but it’s at the expense of Rose. Cassandra playing with Rose’s body (Oh, baby, it's like living inside a bouncy castle!) is really creepy. It feels like Rose is being violated the whole time Cassandra is inside. And don’t even get me started on the kiss.


Harry -
"Goodbye trampoline and hello blondie!" Cassandra's swap into the body of a "chav" was played for humour, but it was another example of her selfishly exploiting people to satisfy her own ego and self-image. She meets up with the Doctor, who has discovered that the previously incurable patients are experiencing miraculous recoveries. They go down to the intensive care unit deep below the hospital. There, they discover thousands of pods containing infected human bodies -- test subjects for the Sisters of Plenitude. "Lab rats," the Doctor fumes, disgusted to learn that the miracle cures upstairs are coming at the expense of so many human lives. 

There's a lot of rampant misuse of human bodies in this story, whether it's the hospital creating and destroying lives on a mass scale, to Cassandra kidnapping someone else's body. 


Sarah -
The nurse’s decision to incinerate the conscious human in the pod is horrifying. The pod people are terrifying, but the nurses deserve everything that happens to them.


Harry -
Based on her behaviour at the pods, the Doctor sees that something is wrong with Rose.


Sarah -
I love the moment when the Doctor confronts the cat nurses about what has happened to Rose. Up until then, he’s played along with Cassandra’s game, not knowing with whom he’s dealing. He catches her out because Rose would have cared about the humans in the pods.


Harry -
Cassandra fesses up, and shoots over into his body. Cue another comedic body swap.


Sarah -
The body swapping got old really, really fast.


Harry -
This time, Tennant gets to play Cassandra for laughs. While that's going on, the pod people break loose and begin a zombie-like rampage, killing anyone with their touch. It got a bit tedious as our heroes fled for safety and Cassandra kept jumping between Rose and the Doctor's bodies.


Sarah -
SO tedious and overindulgent. Yes, we get it, they’re talented actors. Move the story along, already.


Harry -
It got worse when the Doctor realized that just by mixing all the different kinds of medicines together, he would create a miracle cure that would expel all the illnesses from the infected humans. Sure! That's how it works! If they hadn't spent so much time on having Cassandra jumping between bodies, we might have had a more credible solution to the story.


Sarah -
What a crap, hand-wavey solution.


Harry -
Medicines don't work that way, dammit! 

Anyway, everyone's cured, huzzah! The Doctor pops up to see the Face of Boe again. Now awake and seemingly cheerful, the Face tells the Doctor that he will reveal to him a great secret... some other day. Okay then!


Sarah -
What the WHAT? What a fucking pointless story. It can’t seem to decide if it’s a serious story about medical ethics or a wacky body-swapping romp. What a mess.


Harry -
Time to sort out Cassandra. At first, she refuses to back down, but when Chip-of-the-weak-heart-and-short-lifespan collapses, she enters his body to live out her final few minutes. Strangely, the Doctor takes her back in time to a party, at a time before her surgical procedures ran out of control. There, Chip-Cassandra tells Human-Cassandra that she's beautiful -- a final act of self-consumed love before dying. 

I guess because Chip-Cassandra was in a different body, the Blinovitch Limitation Effect did not occur. And so the story ends without a bang, just one more death, and the Doctor and Rose quietly slipping away.


Sarah -
Why, after all she’s done, would the Doctor show mercy towards Cassandra? She’s an absolute monster and doesn’t deserve this moment.  At least the story is mercifully over.


Harry -
Yeah, that was so weak.


Sarah -
Best Line: The Face of Boe: “There are better things to do today. Dying can wait.”

Favorite Moment: The Duke of Manhattan's assistant issuing disclaimers after his every statement. 

Lasting Image: The cat nurses. 

4/10


Harry -
Best Line:
CASSANDRA-ROSE: "You're not exactly Nuns with Guns. You're not even armed." 
NURSE CASP: "Who needs arms when we have claws?" 

Favourite Moment: the disinfectant showers.

Lasting Image: Rose and the Doctor gazing at New New New New (etc.) New York.

6/10







Our marathon continues with Story #169: Tooth and Claw...