Story #178 - The Runaway Bride (2006)

Sarah -
Donnnnnnnnnnnaaaaaa!!!!!!!!


Harry -
Donnnnnnnnnnnaaaaaa!!!!!!!!

Wew, this story is a thrill ride from start to finish, and a much-needed palate cleanser. The rapport between David Tennant and Catherine Tate is instantaneous and hilarious.


Sarah -
Oh, Donna, you're just what we needed after all the high drama of Rose's departure.


Harry -
RTD won't let us forget about Rose anytime soon, but at least she's no longer the be all and end all. Cue the wedding march!

...which lasts for all of 10 seconds before Donna Noble is launched -- glowing and screaming -- through the ether, high into space and right into the TARDIS. A first-in-a-series of "what? what? what?" moments ensues as the Doctor is totally befuddled as to how she could have gotten on board. She's equally baffled, but all she wants is to get back to the church. I love how the pace of dialogue speeds up immediately as they riff back and forth.


Sarah -
I was trying to take notes to help me decide on on a favorite line for the wrap up, but there are so many it’s going to be hard to settle on one. RTD clearly had a ball writing this story. 

The Christmas special stories are usually on the lighter side, with more serious undertones, and "The Runaway Bride" is no exception. Underneath the wacky buddy comedy, there a strong sense of loss for both the Doctor and Donna. 

The Doctor, of course, is still dealing with the loss of Rose. The end of "Doomsday" was such a surprise the first time around. He has just said goodbye to Rose for what he thinks is the last time when this strange woman in a wedding gown turns up. I remember being so confused about what was going on. 

Donna, meanwhile, has been snatched from the altar just as she is about to marry a man she thinks loves her. The flashbacks to her pursuit of him are uncomfortable, but Lance’s betrayal is just heartbreaking.


Harry -
The TARDIS lands in the wrong spot and the Doctor notices it is acting strangely, as if it is recalibrating. He and Donna try to hail a cab and more comedy ensues over fancy dress, cab fares and lack of pockets on a wedding gown. Finally, Donna jumps in a cab and takes off without the Doctor -- who just noticed that the killer Father Christmases from last year have returned. 

I liked how the Doctor casually noticed "Oh, it's Christmas." Watching this story at the start of summer lent itself to the same jarring effect.


Sarah -
Christmas is really not a safe time to visit Earth. I love that Donna has no memory of the previous year’s Christmas invasion or any of the other alien invasions of recent years. While the Doctor is always focusing on the big picture, Donna seems to be incapable of focusing on anything other than what is happening to her at that moment.


Harry -
Donna speeds along before noticing that her cab has taken the wrong exit, and is in fact being driven by a robo Santa. Cue the wildest car chase ever seen in Doctor Who. 

Flying it on manual, the Doctor bumps and judders his ship along a motorway in pursuit of the cab. He tells Donna to jump out of the cab into his arms. Naturally, she'll have none of it, but he asks her to trust him. She makes the leap, the TARDIS soars away, and they are off to find Donna's wedding party.


Sarah -
The car chase is wonderfully silly and so much fun.


Harry -
And then...

"You had the reception without me." 

Donna is stunned when she finds her family and friends whooping it up.


Sarah -
I’m on Donna’s side here. Nice family.


Harry -
Everyone has questions, but no one seems to know exactly what happened. From what we've seen of this group, they seem an angry lot.


Sarah -
They don’t hold back, that’s for sure.


Harry -
Donna recounts the background of her employer, H.C. Clements -- owned by Torchwood. The Doctor studies the video of Donna disappearing from the church, and identifies huon particles, something that existed during the earliest beginnings of the universe. He's surprised to find them still active. While he's wondering about that, the Father Christmases surround the reception, activate the Christmas tree inside, and it unleashes a barrage of small grenades.


Sarah -
Doctor Who is so good at making the domestic terrifying. I’ve worried about spinning Christmas trees with grenade ornaments ever since. 

The Doctor, Donna, and Lance head off to H.C. Clements to investigate, which includes a quick spin on three segways that just happen to be waiting for them. How else would you chase aliens?


Harry -
Ah, the marvelous but much maligned Segway. It never did catch on, and the trio riding them in the tunnels under H.C. Clements is positively quaint. They have discovered a secret floor hidden deep beneath the Thames Barrier. There's also a laboratory that is filled with huon particle containers and a mysterious man-made chasm that does even deeper into the Earth. Torchwood has been busy down here too.

A voice suddenly calls out, welcoming Donna as the "key" to whatever is going on down there. Our friends come face to face with, for me, one of the most skin-crawlingly grotesque monsters in all of Doctor Who -- a giant humanoid-arachnid known as the Empress of the Racnoss. The Racnoss were an ancient race defeated by the Time Lords aeons ago, at the very dawn of the Earth's creation. The Doctor starts putting the puzzle together, but not before Lance reveals his true intentions.


Sarah -
It's one thing to want to be rid of Donna, but selling out your whole planet? Stupid Lance deserves everything coming to him.


Harry -
Lance has been conspiring with the Empress, dosing Donna with huon particles so that she will become a kind of trigger to awaken the Empresses' children. How they got there is baffling, but the Doctor and Donna manage a quick escape in the TARDIS.

Donna is shattered, her wedding day ruined and how her groom-to-be revealed as a villainous monster just as bad as the Empress. Having been through his own recent emotional upheaval, the Doctor tries to comfort her. But how can you, after something like that? Instead, he shows Donna the moment that the Earth began to be formed out of infinite particles of space dust, coming together and coalescing around... a Racnoss ship?


Sarah -
This is when I had to remind myself that this was a Christmas special. Sure, why not form the planet around a Racnoss ship? It's Christmas.


Harry -
The ship was shaped like a sparkling star, which was convenient.


Sarah -
I also noticed an Easter egg that we never would have caught the first time around in the line, “Orders from Mr. Saxon. Fire at will." (See you soon, Series 3.)


Harry -
RTD was good with the dropping of hints and teasers.


Sarah -
With the Doctor and Donna gone, Lance gets the honor of taking Donna's place in the Racnoss' plan. That'll teach you not to ally yourself with aliens, Lance. Don't you know it never ends well?


Harry -
Lance's betrayal of Donna and all of humanity made no sense.  What could he possibly gain from the Racnoss plot?  Lance was clearly the dumbest person in this story.  A complete idiot who got what he deserved.


Sarah -
The Doctor and Donna defeat the Racnoss and save Christmas for another year. Hooray!


Harry -
I have to give a shout out to Sarah Parish.  Considering that her mouth and eyes were the only parts of her not encased under makeup, she gave a hell of a performance.  A particularly harrowing moment was when she grieved over her dying children when the Doctor opened the floodgates and drowned them.

Was that not incredibly dark for a Christmas story?  The Doctor as the angry god, unleashing death and destruction without batting an eye.  Still not over Rose, clearly.

Kudos to Donna for taking all of this -- this entire day of madness, excitement, fear and death -- and still being the same old Donna at the end of it.


Sarah -
Dropping Donna off at home, jobless and fiancé-less, the Doctor tries to cheer Donna up by making it snow. (Amusingly, this story was filled in the middle of a summer heatwave.) He invites her to join him in the TARDIS, but Donna declines. She tells him to find someone who will travel with him and keep him out of trouble. She may understand him better than Rose ever did. 

Speaking of Rose, she's always in the background of this story, from Donna thinking the Doctor kidnapped and killed her at the beginning to him telling Donna her name at the end. Donna really does serve as a palate-cleanser for the next companion. Her advice that the Doctor find someone to keep an eye on him gives him permission to move on, whether he's ready or not. 

It was an absolute delight to watch "The Runaway Bride" again. Catherine Tate and David Tennant work so well together and every scene is a delight.


Harry -
Hopefully our friends at Big Finish will be able to wrangle them into the recording booths again soon!


Sarah -
I'm looking forward to more Donna in Series 4, but first it's time for some Smith and Jones!


Harry -
Bring it on!


Sarah -
Best Line(s):
So many good ones to choose from, but this exchange made the laugh the hardest. 
DOCTOR: Do you have this effect on everyone? Why aren't they stopping? 
DONNA: They think I'm in fancy dress. 
DRIVER: Stay off the sauce, darling! 
DONNA: They think I'm drunk. 
MEN IN CAR: You're fooling no one, mate! 
DONNA: They think I'm in drag!

Favorite Moment: Donna landing on the TARDIS for the first time

Lasting Image: The TARDIS car chase

8/10


Harry -
Best line: 
Agreed that it was hard to choose just one from among so many, but I liked this other little teaser that RTD planted (whether it was intentional or just a stroke of luck):
DONNA: Am I ever gonna see you again?"
DOCTOR: If I'm lucky.

Favourite Moment: the first rapid-fire encounter between Donna and the Doctor.

Lasting Image: Donna in her wedding gown.

8/10

Our marathon continues with Story #179: Smith and Jones...

Story #177 - Army of Ghosts / Doomsday (2006)

Harry -
One of the unmistakable features of the RTD era of Doctor Who is the blockbuster season finale. It started with "Bad Wolf / The Parting of the Ways", a story that set the bar high with the Doctor, Rose and Captain Jack defeating an armada of Daleks deep in space. This time around, it's double the menace as the Daleks and the Cybermen both launch invasions of Earth.


Sarah -
Honestly, I’m surprised it took this long to get the Daleks and Cybermen into one story.


Harry -
The Cybermen-Nazis crossover in "Silver Nemesis" was kind of close.


Sarah -
Please don’t remind me of that.


Harry -
Righto.  This one begins with a hard dose of melodrama, as Rose provides a voiceover for flashback scenes of her life with the Doctor, ending by telling us that "This is the story of how I died."


Sarah -
I remember how shocking that pronouncement was the first time I watched the episodes. I thought it was going to be an Adric situation all over again. This time out, my daughter, who was watching it for the first first time, kept asking, “Is Rose really dead?” I, of course, responded, “Spoilers!”


Harry -
After the opening titles, RTD dials it back down to a benign scene of the TARDIS returning to the Powell Estate. Rose and the Doctor, back at Jackie's flat for a happy reunion. Jackie is delighted to see them and share the news that Rose's grandad is about to pay a visit. Rose's face drops and she suspects her mum has lost it because her grandad has been dead for 10 years.


Sarah -
I’m not sure I understand how people came to think the ghosts were loved ones. Jackie mentions that grandad’s ghost smells like his tobacco, but that seems awfully tenuous.


Harry -
The Doctor wrote it off to people sensing what they wanted to believe was there. It did seem slightly bonkers that society would embrace these entities and make them part of everyday pop culture. Where were the skeptics? Where were the scientists?


Sarah -
Right? Were the scientist and skeptics taken in, as well? Where was Neil deGrasse Tyson when the Earth needed him?  Speaking of scientists, after a season of breadcrumbs, we finally see Torchwood, which seems to have something to do with the ghosts. Located in Torchwood Tower in Canary Wharf, the Torchwood Institute is led by Yvonne Hartman, who is delighted to have the Doctor turn up on her patch.


Harry -
After all this time I'm still not completely sure what to think of this Torchwood.


Sarah -
It’s a little disappointing after months of build-up, to be honest. And while I’m being picky, doesn’t it seem that the Doctor and Torchwood should have crossed paths before now? It’s been a while since Queen Victoria declared him an enemy of the Crown in 1879. That some slapdash retconning there, RTD.


Harry -
The explanation behind the building of Torchwood Tower was brilliant -- it envelops a dimensional hole 600 feet in the sky. Having used another complicated piece of equipment to study the "ghosts" (two stories in a row without having the plot move forward with the wave of a sonic!), the Doctor traces the energy peak to Torchwood Tower. With an "Allons-y!" the TARDIS takes off with the Doctor, Rose... and Jackie aboard.


Sarah -
Jackie’s not impressed: “If we end up on Mars, I’m gonna kill you.”


Harry -
The crew we meet at the tower seem very serious and dedicated, for a few seconds. Adeola and Gareth slip away for a snog while Yvonne leads a welcoming committee to greet the Doctor with rounds of applause. That clapping scene was rather silly. To that point, Torchwood has been working with the "ghost energy" episodes that have been bringing the shadowy visitors into view. Yvonne proudly takes the Doctor for a tour of Torchwood's storage rooms, where he's taken aback by the alien technology they have collected. One room contains a large, floating sphere that seems to be made of nothing. The Doctor identifies it as a void ship, something designed to slip between universes.


Sarah -
I kind of hate the Doctor in these scenes, with his stupid 3D glasses and Ghostbusters jokes.


Harry -
The Ghostbusters gags were so bad I didn't even want to talk about them.


Sarah -
My apologies for bringing it up. When Yvonne demands to meet his companion, the Doctor pulls Jackie out and introduces her as Rose -- and then proceeds to berate her:

“She's not the best I've ever had. Bit too blonde. Not too steady on her pins. A lot of that.” 

“And just last week, she stared into the heart of the Time Vortex and aged fifty seven years. But she'll do.” 

“I'll have to trade her in. Do you need anyone? She's very good at tea. Well, I say very good, I mean not bad. Well, I say not bad. Anyway, lead on. Allons-y. But not too fast. Her ankle's going.”

What an asshole. He deserves everything coming his way.


Harry -
This is RTD's writing at its most obnoxious. Back upstairs, the romantic episode has ended in horror with Adeola and Gareth falling victim to Cybermen lurking in a construction area. Adeola begins picking off the rest of the staff, luring Matt to the Cybermen next, just before Yvonne and the Doctor return.


Sarah -
I totally forgot Freema Agyeman was in this story. I now recall Martha will mention that her cousin died at Canary Wharf, but she didn’t mention it was her twin cousin.


Harry -
Twin cousins, how rare is that!


Sarah -
It was surprisingly common in American sitcoms of the 1960s and 70s, but not usually so much in Doctor Who.


Harry -
Hah!


Sarah -
I was excited to see Martha -- or her twin cousin, or whatever -- and then angry all over again in anticipation of the Doctor being a complete dick to her in series 3. Just when I thought we were almost into the frying pan, we go straight into the fire!

Did you bring any gin? I need to calm my nerves.


Harry -
Steady on, Sarah, we haven't finished with Rose yet.


Sarah -
Not yet, but soon, my friend, soon.


Harry -
Separated from the Doctor and Jackie, Rose winds her way to the room with the void ship. There, a happy reunion awaits because what's an RTD blockbuster without happy reunions?


Sarah -
Mickey Smith, defending the Earth! I was so happy to see him after all this time. I know it’s only been a few weeks, but it felt so much longer.


Harry -
I totally forgot he was in this one so it was a great surprise when he revealed himself in the room with the void sphere.


Sarah -
Mickey explains that the Cybermen were nearly beaten in his adopted parallel Earth but they managed to escape to Rose’s Earth. Rose reminds him that the Doctor says it was impossible, to which Mickey replies, “Yeah, it's not the first time he's been wrong.” That’s right, Mickey, tell it like it is!

Now, really, where’s the gin?


Harry -
We should pause to enjoy a few sips now, because the story is about to go turbo wild.


Sarah -
Brace yourself!


Harry -
The newly-cyberized staff override the safety mechanisms and send Torchwood into the ultimate ghost shift, bringing millions of Cybermen through to this Earth. Meanwhile, the void sphere suddenly activates of its own accord. Watching on camera, the Doctor wonders what the Cybermen are about to hatch, but the Cyberleader informs him that the sphere is not of their design. They merely followed it to this world. At that moment, the sphere opens and from within it emerge...Daleks! Kolossal! It's the ultimate invasion, and an amazing cliffhanger.

Got to hand it to RTD, he does a good blockbuster.


Sarah -
He had to outdo last season, and more than met the challenge.


Harry -
Unlike the swarms of Cybermen who have arrived on Earth, the sphere contained only four Daleks. They are a unique group who have individual names and call themselves the Cult of Skaro. They have brought with them a device called a genesis ark, and with it a new mystery: who or what is inside?


Sarah -
I’m amused the Daleks have finally reached the appropriate level of development to begin forming cults. I guess it was inevitable.


Harry -
One of the most memorable scenes from this story is the glorious trash talking between Cybermen and Daleks. The relentless, dispassionate logic of the Cybermen crashing against the psychotic hate of the Daleks, it's mad fun.


Sarah -
It’s absolutely the best thing in the story.


Harry -
Well, it's fun to watch. For the Doctor and his friends it's the ultimate nightmare. The world is under siege, Torchwood is in chaos, and Yvonne and Jackie are marched off for cyber-conversion before the Doctor can save them.


Sarah -
Poor Jackie. Has she not endured enough? Now she faces being upgraded again? Yes, yes, I know that was alternate reality Jackie, but we had to live through it and that was more than enough.


Harry -
Did we mention this was a blockbuster? Because, zapping through the void, here comes Pete Tyler and the rest of parallel Earth's Scooby Gang! What a scene!


Sarah -
Jake and Pete arrive just in time to save the day...sort of.


Harry -
It's too late to save Yvonne, who goes forward to receive cyber-conversion while declaring that she did her duty for queen and country.


Sarah -
Poor Yvonne.


Harry -
We barely got to know her.  At least Big Finish has come through for her.  

For Jackie, it's a lucky escape. The Cybermen become distracted by the Daleks and she sneaks away down a stairwell.


Sarah -
Go, Jackie, Go!


Harry -
An epic battle ensues. Cybermen vs Daleks with all of humanity trapped in the middle. The Doctor eventually lets us all in on the business with the 3-D glasses. They reveal a kind of "void stuff" that the Doctor posits can be sucked back into the void. However, it means that after being reopened, the void and the gateway to parallel Earth will close forever. Rose is suddenly faced with a choice: join her Jackie and Mickey with parallel Pete on the other Earth, or stay with the Doctor, "forever". It never seemed to have sunk in with Rose that "forever" means two totally different things to Earthlings and Gallifreyans.


Sarah -
Despite the Doctor trying to explain it to her about five thousand times. Seriously, was he not clear enough or is she completely delusional? The swings between competent, empathic Rose and bat-shit crazy girlfriend Rose is frustrating.


Harry -
This gin is getting perilously low.

Having made her choice to stay with the Doctor, Rose bids tear-soaked farewells to her family and Mickey, who then zap away to parallel Earth.


Sarah -
They’re better off without her.


Harry -
The Doctor and Rose brace themselves, throw open the void and watch as the Cybermen pour back through. In a panic, the Daleks initiate emergency temporal shift and vanish as well. But disaster strikes when Rose is thrown into the void... and is rescued by Pete a split second before she would have died.


Sarah -
So much for being better off without her. I like that alternate reality Jackie and Pete decide to stick together. That’s very sweet. I want Jackie to have a happy ending.


Harry -
It was nice that Jackie was able to have everything in the end.  Typing out that rapid fire sequence gives a clear view of how everything unfolded, but in real time it happened so quickly. Everyone was stunned. Rose worst of all, as she collapses in tears.


Sarah -
I really am the worst person ever. I couldn’t stop rolling my eyes at the whole thing. Can you imagine having to live with her after all this?


Harry -
They couldn't even find some words to try and console her.  The RTD Doctor-companion-relationship experiment comes crashing to an end, in blockbuster style.

Having saved the world, once again, the Doctor is left alone, once again. For that segment of fandom for whom "shipping" the Doctor and Rose was a huge thing, this would have obviously been the show's darkest moment. The Doctor has lost so many friends over time, but RTD built this one up to be different, and way more emotional.


Sarah -
The lonely God is alone again. While I don’t want the Doctor to react with, “Oh well, Adric’s dead, let’s move on, he wouldn’t want us to linger.” I could do with much less drama than we get here.


Harry -
Yes, we've yet to hit that sweet spot somewhere between "cold fish" and "emo tears".


Sarah -
This leads us to their final(ish) meeting at Bad Wolf Bay.


Harry -
Final(ish), damn you RTD!


Sarah -
Rose has a dream where she hears the Doctor calling, so Rose, Mickey, Jackie and Pete head off to Norway to follow the voice.


Harry -
As one is compelled to do from time to time.


Sarah -
The Doctor has found a way to transmit an image of himself to talk to Rose. We learn that Jackie is pregnant and Rose is working with parallel Torchwood. Rose learns that she’s officially listed among the dead from the Battle of Canary Wharf. 

We end with the Doctor telling Rose that they can’t see each other again. She tells him that she loves him and he responds with “Quite right, too. And I suppose, if it's one last chance to say it, Rose Tyler…” as he vanishes.


Harry -
So many shipping fantasies shattering into a million pieces.


Sarah -
OK, maybe I’m not completely heartless. It is a touching moment and all that, but what made me the most emotional is the sudden appearance of Donna Noble in the TARDIS!


Harry -
What an emotional swing!  I don't think we could have handled another minute of this blockbuster.  Our last bottle of gin certainly didn't.

Overall, RTD delivered a blockbuster for the ages.  I loved the war between the Daleks and Cybermen.  Torchwood got an appropriate introduction before essentially being destroyed.  It shall rise again in another place, at another time.  As for the shipping, I was done with it before I knew shipping was a thing.


Sarah -
Bring on the next adventure, Old Boy! I’m ready.


Harry -
Goin' to the chapel and we're... gonna get married!


Sarah -
Best Line: “This is not war. This is pest control.”

Favorite Moment: The Dalek-Cybermen trash talk.

Lasting Image: I want to say Donna, but that doesn’t seem sporting. I guess I’ll go with the beach scene as I’ll never be able to delete it from my brain. 

6/10


Harry -
Best Line: same!

Favourite Moment: same!

Lasting Image: the Doctor and his 3-D glasses.

7/10

Our marathon continues with Story #178: The Runaway Bride...

Story #176 - Fear Her (2006)

Sarah -
I’d like to propose we establish a new Sofa of Rassilon honor: The Warriors of the Deep Award (WOTDA), which recognizes episodes of Doctor Who with a decent script that are entirely let down by the story’s production.


Harry -
If it involves drinking a ceremonial toast, I'm in.


Sarah -
It certainly does! We’ll have to mix up a special concoction -- or just pass the gin bottle between us.

In any case, "Fear Her" is my official WOTDA nomination for Series Two.

The story of "Fear Her" begins with Stephen Fry’s legendary unfinished Doctor Who story. Fortunately, the production team had a reserve script standing by, written by none other than Life on Mars co-creator Matthew Graham. In addition to being ready to go, the "Fear Her" script ticked off the most importance box -- it was cheap. 

The TARDIS lands on a quiet suburban street. There’s a brief kerfuffle when the TARDIS doors are facing a storage unit wall, but all is set to rights and the Doctor and Rose are ready for the 2012 Olympics. I had the realization that this story was broadcast six years before those Olympics and now we’re six years on from them. Times flies, doesn’t it?


Harry -
This is some genuinely timey-wimey stuff. The first time around it was a futuristic story, now it's a historical.


Sarah -
The street turns out to be not quite as quiet as it looks. Rose immediately notices missing posters for children all over the neighborhood. We saw one of the children vanish before the Doctor and Rose arrived, despite warnings from an elderly neighbor.


Harry -
A bit of farcical police work attempted by the Doctor while the neighbours voiced their concerns. After resorting to shushing everyone, the police procedural can begin properly. Rose and the Doctor both detect signs and smells of a kind of residual energy left behind after children have disappeared.


Sarah -
It doesn’t take long for the Doctor to work out that a girl named Chloe seems to be connected to the missing children. When she draws pictures of the children in her neighborhood, they become trapped in her artwork. It’s chilling.


Harry -
Abisola Agbaje gave a brilliant performance as Chloe, who appears at first to be a lonely girl, but with flashes of inexplicable anger. There seems to be a natural reason for this:

ROSE: What about Chloe's dad? 
TRISH: Chloe's dad died a year ago. 
ROSE: I'm sorry. 
TRISH: You wouldn't be if you'd known him. 

But this being Doctor Who, it comes out that something alien is causing her to react, but Agbaje's performance still makes it very believable.


Sarah -
It know it’s fashionable to pick on child actors in certain circles, but I agree Agbaje's performance is effective. No shade to Eros Lyn, but I can’t help but think that another director might have been able to help the actress find more subtlety in her performance. The whispering got a little one-note after a while.


Harry -
Like so many great scares in Doctor Who, it's the commonplace made horrifying that sticks in the mind. The living drawings stayed with me all this time as well.


Sarah -
The Doctor works out that Chloe is possessed by the Isolus, an alien life-form that has four billion siblings. The Isolus is just trying to recreate its family, with potentially billions of human beings. 

I find this premise absolutely terrifying. The Isolus is the type of protagonist I often find most interesting. It’s not trying to conquer Earth or carrying out a diabolical plan, it’s just lonely and trying to survive. It’s all very tragic.


Harry -
Another great horror trope: someone's body possessed by a malevolent force. The scene where the Doctor communicates with the Isolus through Chloe was unsettling.


Sarah -
There’s so much that’s unsettling in this story. This isn’t the first time we’ve seen an abusive parent in Doctor Who, but Eddie Connolly’s bullying doesn’t seem to come close to the physical and possibly sexual abuse of Chloe’s father. Chloe and her mother Trish are both still suffering from PTSD, which has contributed to the infiltration of the Isolus.


Harry -
There is clearly a stress on the dad having done horrible things.


Sarah -
Nina Sosanya, who portrays Trish, is one of those actresses I have liked every time I’ve seen her. She effectively underplays the role of a mother whose own PTSD is so overwhelming that she can’t even begin to help her daughter. That has led her to swap her abusive relationship with husband for one with her possessed daughter. 

This is also a very good episode for Rose. When she’s away from the Doctor, she becomes so capable. She’s the one who first notices the missing posters and connects with people in the neighborhood throughout. This is when I like Rose the most.


Harry -
Agreed. Full credit to Matthew Graham for doing away with the smugness we've had to endure this season.


Sarah -
It’s definitely a respite.


Harry -
Having sorted out that the Isolus is behind the disappearances, the Doctor determines that they need to locate its pod and I quite like what happens next. Instead of waving his sonic screwdriver and locating the pod in two seconds, he and Rose go back to the TARDIS to build a pod detector. Old school!


Sarah -
So much of this story feels old school and, dare I say, cozy. I kind of love how giddy the Doctor is about finding the pod.


Harry -
I wonder if RTD got fidgety while reading this script and decided to throw in the Doctor's casual line about being "a dad once."


Sarah -
OMG! The look on Rose’s face when says that! It’s a great moment that illustrates for the 595th time that there is a gap between them that can never be bridged.


Harry -
Before Rose can question him about it, the gizmo picks up the pod and they set off on the trail. Meanwhile, Chloe begins drawing the Doctor and the TARDIS.


Sarah -
Whoops! The Doctor finds himself trapped in a drawing, but Rose is determined to save him. She grabs a pickaxe and starts digging up the street, much to the dismay of Kel, the local council worker who has been assisting Rose in her investigation. Meanwhile, Chloe is drawing the entire crowd at Olympic Stadium...and then the world. 

Following the direction from the Doctor in the drawing, Rose realizes the pod needs warmth and love...right as the Olympic torch is on its way down the street. She chucks the pod into the touch and -- hurrah! -- the missing children begin to reappear.


Harry -
The story felt like it went off the rails here.


Sarah -
Meanwhile, Chloe’s drawing of her father has come to life, terrorizing her and her mother and trapping them in the house. Trish sings to Chloe to drive the terror away, destroying the monster of her father’s memory. Going back to the Warriors of the Deep Award, I have to suggest that this scene would have been significantly more effective and way scarier if it wasn’t so damn bright. The animation of Chloe’s drawing of her father should have been terrifying, but it doesn’t come close, which is a pity. Chloe’s recovery should have been so much more effective.


Harry -
Agreed.  The monster that you cannot see is often more terrifying.


Sarah -
But wait, where’s the Doctor? The torch bearer falters from the pod flare, which leads to the dialog that made me want to smash my television: “There's a mystery man. He's picked up the flame. We've no idea who he is. He's carrying the flame. Yes, he's carrying the flame and no one wants to stop him. It's more than a flame now, Bob. It's more than heat and light. It's hope, and it's courage, and it's love.”


Harry -
Oh man.


Sarah -
The Doctor picks up the torch and lights the cauldron, sending the Isolus home in its pod on a cloud of love. Good grief. My teeth hurt from all the saccharine. 

The Doctor and Rose are reunited and all is well. Or is it…?

ROSE: You know what? They keep on trying to split us up, but they never ever will. 
DOCTOR: Never say never ever. 
ROSE: Nah, we'll always be okay, you and me. Don't you reckon, Doctor? 
DOCTOR: There's something in the air. Something coming. 
ROSE: What? 
DOCTOR: A storm's approaching.


Harry -
Foreshadowing for the extremely foreshadowly challenged.  I was quite done with this story by the end.  As you said above, a solid story let down by the production and for me the era as well.  This could have been a wild CSO thriller in the Pertwee era, or something with insane visuals in the McCoy era.  Anyway, we got through it.  Drink!


Sarah -
Best Line: No, I'm not really a cat person. Once you've been threatened by one in a nun's wimple, it kind of takes the joy out of it. 

Favorite Moment: The Doctor absentmindedly eating marmalade from a jar with his fingers, only to be corrected by Rose with an “ahem” and a shake of her head. It’s one of those perfect scenes that remind us that the Doctor is an alien. 

Lasting Image: Star Trek was my Sci-Fi gateway drug, so I have to go with the Vulcan Salute

5/10


Harry -
Best Line:
ROSE: Cake? 
DOCTOR: Top banana. Mmm. I can't stress this enough. Ball bearings you can eat, masterpiece! 

Favourite Moment: the initial terror of the dad in the wardrobe.

Lasting Image: the living drawings.

4/10

Our marathon continues with Story #177: Army of Ghosts / Doomsday...