Two fans of Doctor Who, one marathon viewing of every episode of the series from 1963 to the present.

Running through corridors is optional.

Wednesday, November 23, 2011

Story #22 - The Massacre of St Bartholomew's Eve (1966)

Harry -
Well, we really burned through that one. After the previous 12-parter, this was a walk in the park.


Sarah -
It felt so quick after "The Daleks' Master Plan", didn't it?

Interesting choice to have the Doctor and Steven land in a historical situation that is less well known than those we've visited previously. We don't know where our loyalties are supposed to lie at any point in the story...and I still don't know.



Harry -
It felt very much like being pulled back into Season One, with a historical/educational type of story, this.


Sarah -
I was waiting for Barbara and Ian to show up and sort it all out.


Harry -
I know nothing about this particular episode of French history, but in a way it was refreshing to be able to choose sides for myself. Sort of. Soon enough, it's clear that this is a "religious intolerance" dilemma, and Steven soon finds himself in the middle of it. Sort of. I liked the overall atmosphere of paranoia and suspicion that was maintained throughout. Plots, treason, assassins, tasty stuff.


Sarah -
It’s unusual and refreshing for this era of Doctor Who to offer us a story with no clear protagonist. Other than Anne, we don’t really develop an emotional connection to any of the characters. Like us, Steven doesn’t know what’s going on, and has to find his way through the story without the benefit of the foresight that previous companions enjoyed in their historicals.


Harry -
It was very much a "Choose Your Own Adventure" for Steven. Meanwhile, the Doctor vanishes for a chunk of the story early on, first in search of the scientist Preslin, then for one more "Hartnell Holiday."

Maybe because of my historical ignorance, I found the story quite dry and hard to get into. Although some of the performances were great. I especially liked André Morell, who chewed his dialogue with great élan as the beruffed Marshall Tavannes. I wonder if he appeared in any other stories (wishing for Toby Hadoke's powers of total recall).



Sarah -
Watching the story in a reconstruction didn’t help. After a while, I couldn’t keep my Catholics and Protestants straight!


Harry -
Yes, this was a painful reconstruction. As for The Big Twist, ie. the Abbot being played by Hartnell, it had me rolling my eyes I must confess. The doppelganger has never been a favourite plot device of mine. Although the Abbot's murder was well played out and Steven's belief that the Doctor was dead was very believeable. We've seen the Doctor take on the identity of French characters in previous stories, so I genuinely puzzled if the Abbot had in fact been the Doctor or not.

I have to ask, was that ever really resolved? I'm still not certain!



Sarah -
It was – and he wasn’t!


Harry -
Thank you!


Sarah -
While I enjoyed Steven having the opportunity to take center stage, I started thinking he was a bit dense when he couldn’t let go of the idea that the Abbot was the Doctor. Even after finding the Abbot dead in the street, he was convinced the Doctor was dead and he had to find the TARDIS key to escape.

I kind of enjoyed Hartnell’s performance as the Abbot, if only because it reminded me that Hartnell was, in fact, acting when he played the Doctor. It can be easy to forget sometimes.

So, the TARDIS takes off, leaving the Huguenots to their fate. Steven rips into the Doctor for leaving Anne behind and the Doctor responds with a speech that illustrates an eternal conflict of the series:

“My dear Steven, sometimes history gives us a terrible shock and that is because we don’t quite fully understand. Why should we? After all, we’re all too small to realize its final pattern. Therefore, don’t try and judge it from where you stand. I was right to do what I did. Yes, that I firmly believe.”


Steven begs to differ and tells the Doctor to let him off at the next stop, which, conveniently, is twentieth century England.


Harry -
And it only took him two years of trying to get Barbara and Ian there...


Sarah -
The Doctor is alone in the TARDIS for the first time in the series, leading to my favorite moment in the story:

“Now. They’ve all gone. All gone. None of them could understand. Not even my little Susan or Vicki. And as for Barbara and Chetterton…Chesterton…they were all too impatient to get back to their own time and now Steven. Perhaps I should go home back to my own planet. But I can’t. I can’t.”


Poor Ian; the Doctor still can’t get his name right.


Harry -
Great speech, really, really great speech. The muffing of Ian's name was a quintessential First Doctor moment.


Sarah -
As we know, the Doctor doesn’t like being alone with himself. His sadness is overwhelming and I found it the most touching moment of "The Massacre".


Harry -
Because it came out of nowhere, the Doctor's soliloquoy was all the more profound. I had never seen this story before, but we know that Steven continues as a companion for several more stories, so this little moment was an unexpected delight. Definitely the highlight of the story.


Sarah -
But, this being Doctor Who, it doesn’t last long…


Harry -
Ah yes, now the lowlight. The sudden, jarring, utterly absurd appearance of Dorothea (Dodo) Chaplet. This scene is bonkers. One of the worst if not the worst companion introduction ever.


Sarah -
I'll go with worst.


Harry -
What the heck happened there? Dodo comes skipping up to the TARDIS looking for help for an injured child. She barges in and discovers the Doctor, who politely tries to shoo her away, and she ends up staying.

La la la, who cares about that injured child! La la la, you say this is a flying spaceship, what fun! La la la, never mind about my family and friends, I'm an orphan!

Completely bonkers.

I have a theory about Dodo. Would you like to hear it?



Sarah -
Would I? I'm all aflutter with anticipation!


Harry -
Here now, is my theory, which is mine, about Dodo Chaplet.

*ahem*

My theory is this: that Dodo Chaplet is insane. She herself may have been responsible for causing injury to the unseen child, if there was a child at all. Being insane, she then skipped merrily to the Police Box, perhaps to call for help, perhaps just to hide behind it. Perhaps those policemen that Steven saw were, in fact, looking for Dodo. Trying the door, she entered a wonderland that totally captivated her.

Dodo is insane. That is my theory. I shall have further evidence to present as our marathon continues. For now, I'm ready to wrap this one up. Too many flaws dragged this story down for me and I can't give it much of a rating.



Sarah -
Interesting theory, Harry Brackets-Mister-Brackets. I'm fairly sure that your theory will color my viewing of Dodo's episodes, none of which I've seen, from here on out.

Let's wrap it up, then -- so we can start planning for Chicago TARDIS!



Harry -
Chicago TARDIS!  See you in a few hours dearie!

Oh, and by the way, I looked up André Morell.  He never appeared in Doctor Who again, but his son did!  (Our Toby probably could have told us that.)


Sarah -
Lasting image: Steven finding the Abbot dead in the street.

Favorite moment: The Doctor alone in the TARDIS.

Best line: The Doctor’s lonely reflection.

7/10



Harry -
Lasting image: Marshall Tavannes and his ruff.

Favourite moment and Best line: I concur with your picks!

5/10




 



Our marathon continues with Story #23 - The Ark...

Thursday, November 10, 2011

Story #21 - The Daleks' Master Plan (1965-66) - Parts Seven to Twelve

Harry -
We did it, Sarah! We made it to the end of "The Daleks' Master Plan."

What a wild and woolly ride that was. The story really is a tale of two halves, so our previous review after Part Six was well timed, I think.

We could probably spend this entire session discussing Part Seven, "The Feast of Steven." That had to be the rompiest romp since romp came to Romptown!



Sarah -
Romp Away, I say! What a good time. I didn’t even mind the Doctor breaking the fourth wall to wish us a Happy Christmas. It was a pleasant respite from Master Plans and Daleks and Such. Professor Webster, for whom the Doctor was mistaken earlier, made me giggle when he critiqued the film set. But, I think my favorite line was when the cop told Sara to “Have a swinging time!” He’s the copper who’s down with the kids – or at least knows how to humor the drunks.

Speaking of Sara, can I cut to the chase and get up on my soapbox? Why is Sara Kingdom not included in the official BBC companions listing? She spent more time in the TARDIS than Katrina, traveled all over the damn place with the Doctor and Steven, and died trying to help the Doctor. To top it off, she’s smart, sexy, and awesomely fabulous. I’m going to compose a sharply worded letter to the BBC this evening and set things straight. This injustice cannot continue!

Or, maybe I’ll just head down the pub for a Halloween pint…



Harry -
Sara's companion status has been much-disputed. Entire message boards have risen and fallen without arriving at a conclusion to this question. I am firmly in the "Companion? Yes!" camp. It's great that Jean Marsh recently reprised the role in a series of DW Audios, which further expanded Sara's travels with the Doctor and Steven.


Sarah -
I’ve not heard those audios. You’ll have to get the titles to me, and perhaps our readers – if there are any out there. Hellooooooo!!!!


Harry -
I guess Part Seven can be considered the very first DW Christmas Special, since it was a complete one-off with no impact on the greater story. But it was a wild piece, DW as slapstick comedy.

Moving on to Parts Eight and deeper, though, it seemed hard for the story to get back up to speed again. Part Eight is essentially a reboot, with the Daleks spending most of the episode preparing to launch their own time machine on a pursuit of the TARDIS.



Sarah -
The Dalek-shaped doors on the time machine were a nice touch.

The return to the alien council was a relief -- I was kind of starting to miss them -- and Chen. Unfortunately, the whole Time Destructor test scene lacked the drama that would have pulled us back into the story, even with the cursory extermination of Trantis.



Harry -
There was also that silly bit involving the TARDIS landing on a cricket pitch. The story couldn't seem to decide what it wanted to be anymore.


Sarah -
The first appearance of cricket in Doctor Who! There was little point to it, but the commentators made me laugh, “We’re checking the record book to see if this has happened before.” I could imagine it the same scene playing out on ESPN.


Harry -
And then to confuse matters further, all of a sudden we land in the middle of an Egyptian historical... with a familiar villain back on the scene!


Sarah -
The Time Meddler is back! My hope briefly surged! Peter Butterworth is once again an utter delight. The Doctor looks so happy to have bumped into his old adversary in Ancient Egypt. The scenes between the Monk and Chen are a blast as the two cunning manipulators try to outmaneuver each other.

And then it turns into an episode about lock tampering and repair. Oh the drama!



Harry -
Mind-blowing greatest-hits package that foreshadowed the RTD epics to come, or a chaotic cacophony of confusion? What has become of "The Daleks' Master Plan?"


Sarah -
I feel much better knowing it wasn’t a sudden attack of latent-onset ADD or something. I had a terrible time keeping my attention focused on the story. After a strong start, we’ve wandered into a rambly Chase-like thing.


Harry -
Oh yes, I was feeling the "Chase" vibe in these later episodes too.


Sarah -
There’s a bit of an upswing in episode ten, but I think that’s mostly due to having footage again – and being able to enjoy Kevin Stoney’s brilliant, subtle performance.


Harry -
Kevin Stoney is definitely the gem of this story. He steals the scene in all the real footage episodes, with his little asides, his pinky-to-the-mouth bit, and his growing madness.

Fortunately part twelve brings it all together again. After a wild pursuit across time and space with an entire season's worth of great characters, it all boils down to the Doctor and his friends confronting the Daleks and their ally.

Chen is completely looney tunes by the end, and I loved it! In the space of 10 minutes, he lets go with at least three roaring "I, MAVIC CHEN!" outbursts. Completely, delightfully bonkers.



Sarah -
I believe Stoney is the current holder of my “All-time favorite guest actor” title. Such a gem of a performance.


Harry -
And then, death sweeps through the story one last time, taking Chen, the Daleks and (devastatingly) Sara.


Sarah -
Oh Sara, I renew my pledge to battle for your Official Companion status! Just right after I finish this pint, I promise.


Harry -
What a gripping way to finish the story. Stephen and the Doctor, alone in a dusty wasteland, lamenting their dead friends, and the Doctor regretting the terrible waste of it all. Perfect finish. For me, it overcomes the loosey-goosey flaws of the second half.


Sarah -
It’s simply devastating – Sara, Katarina, Bret, not to mention all the baddies who bit the dust. A terrible waste.


Harry -
One final note before we wrap it up. Part twelve might be the first DW episode that features wall-to-wall soundtrack for almost its entirety. I love electronic music, especially the ambient noise that we heard throughout. Contemporary DW might be a bit over-the-top and too movie-ish in its use of blaring musical cues, but this story demonstrates how a bit of background sound can heighten tension and elevate a story. Well done!

Before I collapse in a quivering heap:

Lasting image - I loved that moment when the Egyptians gazed up at the sun in the sky, and the image morphed into the reflection of a light on a Dalek casing.  But I'll go with Mavic Chen's peculiar writing style, which is more conducive to a still image.

Favourite moment - the exchanges between the Monk and the Doctor, always laced with latent hostility.

Best line - Could there be any other than "I, MAVIC CHEN!"

Second half rating - 8/10

Overall rating - 8.5/10



Sarah -
Lasting image – The Monk in his sunglasses.

Favorite moment – Mavic Chen spiraling out of control.

Best line – Because I don’t want to copy "I, MAVIC CHEN!"…

Steven: “You’re a genius, Doctor.”
Doctor: “Yes, I know, My Boy!”

Second half rating - 8/10

Overall rating – 8.5/10




 


Our marathon continues with Story #22 - The Massacre of St. Bartholomew's Eve...