Two fans of Doctor Who, one marathon viewing of every episode of the series from 1963 to the present.

Running through corridors is optional.

Showing posts with label Sabalom Glitz. Show all posts
Showing posts with label Sabalom Glitz. Show all posts

Sunday, May 1, 2016

Story #147 - Dragonfire (1987)


Harry -
Imagine a Whoniverse in which JN-T signed off on a 25th season of Doctor Who featuring Sylvester McCoy as the Doctor with his companions Mel, Sabalom Glitz, and Ace.

The face-pulling Doctor, the loveable rogue, the angry teen and her super-thoughtful surrogate big sister. What a motley crew!


Sarah -
I would sign up to watch that TARDIS team in action. Alas, all we have is "Dragonfire" to show us what could have been.


Harry -
This is one of those "watched it once ages ago" stories, so it was practically brand new to me. All I remembered was that there was a companion switcharoo at the end, and the villains wore immaculate white uniforms.


Sarah -
I had the same reaction. I remembered little about it other than it being Ace's first story, Mel's last, and Sabalom turning up again. And the milkshake. I remembered Ace dumping the milkshakes over the customer's and her boss's heads. Who hasn't wanted to do something like that?


Harry -
It's quite the look the ruling corps have going on Iceworld. Kane and his minions march around in pristine whites complete with high boots and spiked helmets. An interesting mishmash of imperialist styles.

I must have missed the detailed explanation behind it, but Kane literally holds the touch of death in his hands.


Sarah -
There was some exposition in there from the hologram lady, but it kind of went past me. The upshot is that the dragon is Kane's jailer, but also his only means of escape. He needs to get the crystal in the dragon's head to be able to activate his ship and escape. Somehow, he hasn't managed it yet, but he's found time to launch a refrigeration sales empire.


Harry -
The sudden cut to a freezer store was odd.


Sarah -
Kane is a big creepy creep of the type we tend to find on remote planets in Doctor Who, but I was really confused by this planet. Why does an ice planet need a refrigeration sales store? Why is there an ice cream parlor that feels like a spinoff of the Cantina on Tatooine? Why is it taking so long to meet Ace?


Harry -
"Dragonfire" is the first story in the Andrew Cartmel era to feel like a Cartmel-era story.


Sarah -
It really is. I've been reading Cartmel's Script Doctor and he addresses the challenges of coming into his first season with so many scripts already in progress. "Dragonfire" is very much his vision of where the show was going.


Harry -
The big reveal of who and what Kane is doesn't come until the end, with a surprising finish. Early on, all we know is that he is a ruthless tyrant and he's after a treasure hidden deep below Iceworld -- the aforementioned dragon. Glitz happens to have his greasy paws on a map to said treasure, and it doesn't take much to coax the Doctor's curiosity into joining the hunt during the cantina scene.


Sarah -
Dragons! Maps! There was really no way he could resist.


Harry -
And there she is: Ace! Swept onto Iceworld by a time storm and earning her keep as a cantina waitress -- don't you hate when that happens?


Sarah -
It's really such a bother.


Harry -
While the boys are off on their treasure hunt, Ace and Mel do some bonding.


Sarah -
The Doctor and Glitz are an excellent double-act in their scenes together. Bringing Tony Selby back to play Glitz was JN-T's idea. Ian Brigg's original script had a similar character, so it seemed to make sense to slot Glitz in. The problem is that when we meet Glitz, he's just sold his entire crew into slavery, which really diminishes the "lovable" part of the lovable rogue. (Or bilge bag, as Ace would have it.)

Mel immediately falls into the big sister role. I love that they follow the Jo Grant approach when being told to do something they don't want to -- nod and smile and then go off and do what you wanted to do anyway.


Harry -
In Outside In Volume 1, there's a great analysis of Mel's character in the review of "Dragonfire". In her short time as a companion, she came off as confident, intelligent, assertive, thoughtful, patient and friendly. It's a shame that she's remembered mostly for her screaming. That was certainly the memory I had of her before we re-watched her stories. My opinion is much more favourable towards her now.


Sarah -
I just reread that essay and mostly agree with it. I disagree that "real girls" don't carry baseball bats and always fold their laundry, but I very much agree that Mel is the sort of person you want to have as your best friend. She's absolutely lovely and I've always liked her, despite her character never really allowed to develop. Also, I adore her outfit in "Dragonfire". I want that jacket she's wearing right now!


Harry -
Did you recognize who Belazs was? It was driving me nuts until I googled it.


Sarah -
I did -- and I found myself taking a jump to the left and a step to the right! Patricia Quinn is just the right combination of evil and tragic in her performance. If you haven't heard it, do have a listen to her Gallifrey One interview on Radio Free Skaro on which she's brilliantly wacky.


Harry -
It was interesting how Kane was presented as this utterly cold, emotionless character, and whenever there was something tactile involving him, it was painful or deadly. Belazs and Kracauer may have looked the part of Iceworld stormtroopers, but they were little more than pathetic puppets at Kane's behest. Their attempts at thwarting their master's influence ended tragically.


Sarah -
They really weren't the best conspirators, were they?


Harry -
There was another thing I remembered about "Dragonfire". The cliffhanger. No, literally, the cliffhanger, where the Doctor inexplicably positioned himself on the edge of a cliff, then hung on for his life. What in the hell was that all about? Clever wordplay rendered in action? The Doctor falling victim to his own enthusiasm? I don't know. It was just silly. Good thing Glitz came along to haul him out of that dilemma.


Sarah -
There was no good reason for him to climb over that cliff. It's an amusing image -- and was iconic enough to make it into "The Name of the Doctor". Are we to assume that Clara found a way to get Glitz to the cliff to save the Doctor?


Harry -
We must have just missed her!


Sarah -
This brings me to another small, but annoying, thing. While Sylvester McCoy is sliding all over the place on the faux ice, everyone else is just walking normally. Was Chris Clough even paying attention at this point?


Harry -
Maybe everyone else's footwear had rubber soles.


Sarah -
The story does have it's charming moments. I love the Doctor's philosophical conversation with a guard he's distracting while Glitz sneaks onto the Nosferatu: 

DOCTOR: Excuse me. What's your attitude towards the nature of existence? For example, do you hold any strong theological opinions? 
GUARD: I think you'll find most educated people regard mythical convictions as fundamentally animistic. 
DOCTOR: I see. That's a very interesting concept. 
GUARD: Personally, I find most experiences border on the existential. 
DOCTOR: Well, how do you reconcile that with the empirical critical belief that experience is at the root of all phenomena? 
GUARD: I think you'll find that a concept can be philosophically valid even if theologically meaningless. 
DOCTOR: So, what you're saying is that before Plato existed, someone had to have the idea of Plato. 
GUARD: Oh, you've no idea what a relief it is for me to have such a stimulating philosophical discussion. There are so few intellectuals about these days. Tell me, what do you think of the assertion that the semiotic thickness of a performed text varies according to the redundancy of auxiliary performance codes? 
DOCTOR: Yes. 

It's brilliant. I can only hope the guard survived the coming bloodbath.


Harry -
That was a great moment.  Ian Briggs must have loved seeing that come to life.

When our friends finally reunite and encounter the dragon, they discover its secret and the rest of the story devolves into a series of chases as Kane closes in. In my notes I commented again how these quickie three-parters remind me of contemporary two-parters. There's a late flurry of action as Kane rallies his troops, they storm the cantina, blow up the Nosferatu filled with fleeing citizens, then Kane corners our friends, seizes Ace and forces a standoff. He demands the dragon's treasure in exchange for Ace.


Sarah -
The massacre of the citizens is awful. And then we get an odd, and occasionally amusing, series of scenes with Kane's lackeys, McLuhan and Bazin, and their very large guns as they hunt the dragon.


Harry -
The ridiculously oversized guns were wonderful, like something out of a video game.


Sarah -
Things don't turn out so well for them, what with the energy bolts killing them after they kill the dragon and try to remove his crystal. 

This is the second time Ace has encountered Kane and she's just as brilliant as she was the first time, when he offered her a coin in exchange for entering his employ.


Harry -
And finally, Briggs lets us in on Kane's secret. He and his partner Xana (whom he immortalized in sculpture) were criminals. She committed suicide and he was exiled from their home planet, swearing that one day he would escape his prison and get his revenge. When the Doctor informs him that his planet was obliterated 2,000 years ago, Kane sees that his wait has all been in vain. Defeated by time itself and swept up by a final destructive urge, Kane opens a screen and allows himself to be bombarded by rays of sunlight, which kills him. The "melting" shot was icky fun.


Sarah -
It really was gruesome.


Harry -
So with Kane no more, the remaining people of Iceworld can piece together their lives. Our fantastic four repair to the TARDIS for what turns out are some final farewells. At first, it seems that Glitz is about to set off in a new ship with Ace, promising to return her to Perivale. The Doctor doesn't seem too keen on that idea, then Mel suddenly jumps in and announces that she's departing with Glitz.


Sarah -
What the What? It's like Leela all over again!


Harry -
Did not like this at all. You'd think that after all these years JN-T would have gotten better at the art of companion goodbyes. Mel teaming up with Glitz might have sounded like an intriguing concept, but the presentation fell flat onscreen. It came off as a tacked on resolution. Don't get me wrong, Doctor Who companion goodbyes more often than not feel like a tacked on resolution. Wouldn't it have made more sense if Mel took it upon herself to help the people of Iceworld get back on their feet again. If that cantina manager might have survived, I could see Mel joining up with him to re-open a new, improved cantina that offered a healthy assortment of juices and smoothies. For once, the "I'm staying behind" departure would have been believeable. Instead, she's off with Glitz of all people. For Pete's sake! Glitz sold his own crew!


Sarah -
Sex. I've decided that's the only reason Mel would go off with Glitz. She's tired of being a good girl and wants to get in his pants. Exhibit One -- well, really the only exhibit I have to offer -- is this racy dialogue:

MEL: Well, I was thinking of going a bit further. 
GLITZ: How much further? 
MEL: How much further are you going? 

Oh yeah, Mel. You go as far as you want!


Harry - 
I'm sure there's some fan fiction out there...

As for the Doctor, he invites Ace to join him in the TARDIS and she readily accepts. Anywhere but Perivale, it seems. Perivale must be a total dump.


Sarah -
It doesn't seem to be a place one would want to be.


Harry -
Overall this was a story with potential, but the production seemed to fall flat. Too much skittering about those Iceworld sets that looked like a department store at Christmas. Kane and Belazs were brilliant and I would have like to see more of the conflict between them, but too little time. "Delta and the Bannermen" worked pretty well as a romping three-parter, but "Dragonfire" felt short changed.


Sarah -
It's an interesting idea with some great performances. It's unfortunate the direction was so flat.


Harry -
It's neat that we enter the Ace era, just as Bill has been introduced as the current Doctor's new travelling companion. Comparisons have been drawn, and hints have been made that Bill might even be from the same time period as Ace. We've yet to find out for sure, but for now I'm looking forward to two more seasons of the Sylvester McCoy years.


Sarah -
I look forward to getting to know Bill, and am delighted that we finally get to spend some time with Ace. I was an 80s punk-rock girl when Ace stepped into the TARDIS, so she's always been a favorite.


Harry -
Best Line: 
DOCTOR: Hello. Not interrupting anything, am I? 
BELAZS: What are you doing here? 
DOCTOR: That's a very difficult question. Why is everyone round here so preoccupied with metaphysics? 
GLITZ: I think she's going to kill us, Doctor. 
DOCTOR: Ah. An existentialist. 

Favourite Moment: when the dragon mimics the Doctor doffing his hat.

Lasting Image: Kane and Belazs in their pristine uniforms.

5/10


Sarah -
Best Line: That's right, yes, you're going. Been gone for ages. Already gone, still here, just arrived, haven't even met you yet. It all depends on who you are and how you look at it. Strange business, time. 

Favorite Moment: The look Ace gives Mel when she suggests they and Glitz pass time by playing I Spy. I laughed so hard I had to rewatch it several times. 

Lasting Image: Ace in full gear with her Nitro-9

5/10


 


Our marathon continues with Story #148: Remembrance of the Daleks...

Tuesday, February 23, 2016

Story #143A - The Trial of a Time Lord: The Mysterious Planet (1986)


Sarah -
I'm not going to lie, Old Boy, I've always been a big fan of The Trial of a Time Lord. The story has its ups and downs, but it's always been my favorite part of the Sixth Doctor's era. I know I've seen the four stories that make up Season 23's The Trial of a Timelord more than anything in Season 22. If I remember correctly, you're a fan, as well.


Harry -
Oh hell yes!

I keep a list of reasons why The Trial of a Time Lord is Extremely Excellent in my wallet for moments like this. Should I share the list here?


Sarah -
I love it! This is exactly why we are best pals. Bring it on!


Harry -
*ahem* Here follows my list of reasons why The Trial of a Time Lord is Extremely Excellent:

- Dominic Glynn's revised, minimalist theme music is intimately celestial
- Colin becomes increasingly psychotic as the story goes on
- Also, Colin's hair becomes increasingly psychotic as the story goes on (compare its length in each story)
- Speaking of which, Peri's new Kate Bush hairstyle is gorgeous
- The Valeyard is a grim creep, but I can't look away from his intensity
- The Doctor's repeated putdowns ("Barnyard, Scrapyard, etc") are hilarious
- I love gratuitously gigantic robots, like the one that controls the Mysterious Planet
- "Mindwarp" lands the TARDIS team in the middle of the "Ashes to Ashes" video
- Peri's demise is truly horrific
- Sagacity!
- Mel sets a new standard for glass-shattering screams, might as well be remembered for something eh?
- Tom Chadbon, BRIAN BLESSED!, Honor Blackman, Geoffrey Hughes
- Every cliffhanger is an extreme close up of Colin about to go mad again
- Vervoids are creepy as hell
- The "genocide!" cliffhanger is one of my all time favourites
- The Master's sudden appearance on the big screen is classic
- In the end, it was all a bit rubbish, but that's the beauty of Doctor Who: it isn't so much about the final resolution, but the journey there.


Sarah -
These are all excellent reasons, although perhaps a bit spoilery. Still, after 30 years, I don't think anyone can complain. 

Liz from the Verity Podcast has suggested that everyone would have loved The Trial of a Time Lord if Colin Baker had just gotten a proper haircut, but I kind of love the madness. It feels like the Doctor has no shits left to give every time he shakes those curls about.

I completely agree about the journey being more important than the destination. It will be interesting to see how we feel at the end of this season.


Harry -
Is it possible to love something even more than the love you had for it before?


Sarah -
We can hope.

During Doctor Who's eighteen-month hiatus, Eric Saward developed an idea for a full-season arc, where the Doctor would be on trial for his habit of interfering in other planets. The trial is an appropriate metaphor for the position in which the series found itself in 1986.

Before we begin our lovefest, I'm going to tell you how much I hate, loathe, and abominate the Season 23 opening theme. It sounds tinny and cheap and fills me with rage every time I hear it. Fortunately, it's followed by The Trial of a Time Lord, so my mood is soothed relatively quickly.


Harry -
My love for Dominic Glynn's theme puts me among a minority of fans, but I'm OK with that.


Sarah -
One of the best things about being a Whovian is that you can hold the craziest of opinions and it's all good. I suspect Trekkers have fought to the death over lesser disagreements.


Harry -
Saward's inquiry/trial arc is established after we watch the first, sweeping shot of the TARDIS being beamed aboard a space station.


Sarah -
OMG, can we discuss the majesty of the opening shot? The model work on the space station is freaking amazing. I had to watch it twice to fully appreciate its beauty. Apparently, it took at week to film the opening shot, which cost £8,000 -- making it the most expensive sequence to date. Makes me feel like I should watch it a few more times, to help amortize the cost.


Harry -
It has to be the most professional looking special effect in classic Who history.


Sarah -
It really is incredible. The shot ends with the TARDIS entering the station. The Doctor finds himself in a courtroom full of Time Lords, where we meet some memorable characters. 

The Valeyard leads the prosecution and faces the Doctor's contempt. The Inquisitor serves as judge, keeping the proceedings in line. She's got her hands full with the Doctor and Valeyard facing off.


Harry -
Before the prosecution may begin, the Inquisitor asks the question that is on all our minds: hasn't the Doctor already been accused and prosecuted for meddling? I didn't like how the Valeyard just shrugged it off and said "Nah, we were too lenient last time, let's do it again." He moves straight into his presentation, starting with an adventure from the Doctor's recent past.


Sarah -
I guess there's no concept of double jeopardy on Gallifrey. To help us keep the timeline straight, a costume change is introduced. The Doctor wears his turquoise cravat in the flashback sequences and a red cravat in the courtroom. 

Peri is allowed to be fully clothed again, apparently after concerns over her Season 22 bodysuit-and-shorts wardrobe. 

Speaking of the Doctor and Peri, they seemed to have mellowed towards each other in these intervening months. Baker and Bryant are lovely. They're still given bickering dialogue, but they deliver it like two old friends who love to tease each other. I wish they had gotten to this point sooner.


Harry -
Leave it to Bob Holmes to set things right again. The cheery stroll through the woods was a nice bridge to the story proper.


Sarah -
Good old reliable Bob Holmes in his final full Doctor Who story.


Harry -
But what a bizarre opening adventure. Has there ever been a goofier collection of post-apocalyptic survivors?


Sarah -
The first characters we meet are a classic Bob Holmes double act -- Sabalom Glitz and his sidekick Dibber. I love these two even if they are mercenaries whose first action is to try to kill the Doctor and Peri as they emerge from the TARDIS.


Harry -
Dibber and Glitz observe as our friends find an entrance way to the underground. The Doctor marches straight in, but Peri chooses to stay on the surface. The mercenaries are after something down there, but it's guarded by an L-3 robot. In order to disable the robot, they will have to knock out its power source: a large antenna that acts as a light converter and provides the robot with blacklight energy. It also provides the locals with a totemic object of worship.


Sarah -
Peri is understandably wigged out when they discover the Marble Arch sign in the underground. Something about this planet feels all too familiar.


Harry -
If it's Earth, it's in the wrong position in space and time. 

Dibber and Glitz decide to go and ask nicely if they can dismantle the light converter. At the village, we meet the Pythonesque locals led by Katryca, tribeswoman and leader of the free. Played by Joan Sims, she just screams "JN-T stunt casting!" Is this another Beryl Reid, some treasured light entertainer from the past? Sure enough, a quick Google search reveals that Sims was a star of the "Carry On..." series of comedy films. So she would have been very familiar to viewers as a comic actor. She plays Katryca dead seriously here, but there's still a comic feel to the performance.


Sarah -
Unlike Beryl Reid, Sims understands why she's there and acts the heck out of Katryca. I love her reaction to Glitz's attempts to charm her -- she's heard it all before and it having none of it.


Harry -
Katryca rejects the request and has Dibber and Glitz imprisoned. She is a fierce defender of her folk beliefs, but won't betray them in order to stop the L-3 robot, known coloquially as the Immortal. For the tribe of the free, the answer can only be brute force and weaponry.


Sarah -
Nobody likes change, especially when religion is involved. 

The Doctor, meanwhile, has stumbled into an underground complex and finds himself the focus of a stoning after he picks up a bottle of water. Ravolox is never going to make the list of Top Ten Friendliest Planets in the Universe, is it?


Harry -
The Doctor survives the gentlest stoning ever, at the hands of some gentle underground dwellers. These are people who believe that the world above their city is consumed by flames. That is why they entrust their existence to the Immortal, and haul the Doctor before it when commanded to.


Sarah -
They're all quite matter-of-fact about the their situation.


Harry -
Two of these people are played by Tom (Duggan!) Chadbon and Adam Blackwood. I liked Blackwood's character -- the reader of the books. He's basically the chief librarian of this society, overseeing all three volumes of ancient knowledge.


Sarah -
I love when Balazar names the sacred texts -- Moby Dick by Herman Melville, The Water Babies by Charles Kingsley, and U.K. Habitats of the Canadian Goose by H.M. Stationery Office -- and the Doctor does his best to look suitably impressed. 

It's great when favorite actors return to Doctor Who, but I was hoping for a bit more smashing into things from Chadbon. Still, his Merdeen turns out to be a bit of a hero. He's been sending people to the surface for years to help them escape life in the underground.


Harry -
Like Sims, Chadbon resists all temptation to camp it up and plays Merdeen with total seriousness. The same could be said for the entire cast. Everyone is so, so serious in this one.

When Drathro the L-3 robot finally meets the Doctor, it realizes that he is an intelligent organic creature, and tasks him with repairing its faulty blacklight energy system.


Sarah -
We get another classic Bob Holmes double act in Humker and Tandrell, Drathro's human assistants. As annoying as it would be to work with these two, they definitely lighten the mood.


Harry -
Okay, they definitely played it for some laughs as campy rivals. Meanwhile, Peri is hauled before Katryca, who determines she will make a fine wife to many husbands. Peri is not impressed, but she's thrown in the same cell as the mercenaries. They quickly plot an escape, just as the Doctor does.


Sarah -
Peri cannot catch a break. After a season of being lusted after by every random baddie, she's now being offered to a pack of shaggy locals.


Harry -
After blowing up the light converter, Glitz, Dibber and Peri meet up with the Doctor and Balazar at the entrance to the underground -- only to find themselves caught between the angry villagers and one of the Immortal's robot drones. And cue the cliffhanger closeup!


Sarah -
"I don't know. I really think this could be the end..." Oh, Colin!

But wait, it's not the end! Huzzah! The tribesfolk shoot the robot with Dibber's gun and haul everyone back to the village. The Doctor tries to work his charms on Katryca, but we all know how that's going to end. Back in the prison cell, Glitz confirms that the planet is Earth. Before the Doctor can find out why it's been moved, the service robot breaks into the cell and captures the Doctor.

Katryca and the tribe, thinking the Immortal is dead, set off to the underground to reap the spoils of victory. Peri rescues the Doctor from the robot and they head to the underground to stop the tribe. Back in the underground, they encounter Merdeen who shouts "You!" while looking at the Doctor and shoots his crossbow. Could this be the end? Nah, Merdeen was just taking out another guard who had figured out what Merdeen was up to. 

Meanwhile, at Drathro's castle, Katryca is quickly electrocuted and the rest of the tribe are dismissed.


Harry -
A shocking demise for Katryca and Broken Tooth, fried until their skin begins to blacken. There's a lot more Saward than Holmes to moments like this.

One interesting theme that Holmes developed was having the Doctor caught between villagers who cling to their folk lore, and an advanced robot that clings to its pre-programmed logic. Neither side would budge from their positions, leaving the Doctor to negotiate a careful path out of there.


Sarah -
The Doctor returns to the castle and tells Drathro he's going to repair the black light system, but soon realizes it's beyond repair and is going to explode. Drathro is initially prepared to let the explosion happen, until Glitz offers to take the robot away in his ship, claiming to have black light there.


Harry -
I love how the Doctor and Dratho practically get into a shouting match, and then Glitz comes along and charms the robot right out of its castle.


Sarah -
It's almost kind of sad to see Drathro packing up his things to head off with Glitz and Dibber, excited for his new life in the Andromeda Galaxy. He's the only character in the story who doesn't immediately see through Glitz's manipulative charm. Drathro's hope is short-lived, of course, as the system has already started to self destruct. The Doctor manages to contain the explosion to the castle, but Drathro doesn't survive. 

Merdeen and Balazar lead the underworlders to the surface and a new life with the Tribe of the Free.


Harry -
Huzzah!


Sarah -
Meanwhile, back in the courtroom, the Doctor declares himself savior of the universe and prepares to mount his defense. The Valeyard promises that there is more evidence to come and in the end the Doctor's life will be forfeit. Cue the cliffhanger!


Harry -
Man, that Valeyard is a creep. He's definitely up to something.

Overall, "The Mysterious Planet" was a fast-paced romp to open the season. The return to the four-part, 24-minute format kept the plot bouncing along. The Doctor and Peri juggled their way out of a jam between competing factions and emerged unscathed. One common complaint that I share with fandom is that there were too many cutaways back to the courtroom, breaking up the momentum of the adventure. This would have been a fun story on its own, without the trial components. We'll see if this becomes an ongoing trend.

And now... ARE YOU READY FOR MINDWARP, SARAH?


Sarah -
I've been ready since we started this marathon!


Harry -
Best Line: 
Upon meeting Peri: "Sabalom Glitz, my dear, and this youth with the vacuous expression and single track mind is Dibber."

Favourite Moment: Balazar gets slimed by the food processing unit.

Lasting Image: the gratuitously gigantic robot!

7/10


Sarah -
Best Line: "Five rounds rapid should do the trick."
Brig callbacks always warm my heart.

Favorite Moment: Glitz sweet talking Drathro.

Lasting Image: Glitz and Dibber, ready for action.

7/10



 




Our marathon continues with Story #143B - The Trial of a Time Lord: Mindwarp...