Story #218 - A Good Man Goes to War (2011)

Harry -

There's a line in this story that captures how I feel about this particular episode, and some of the New Who era in general. It's when River Song describes the Doctor's actions at the battle of Demon's Run:

"He'll rise higher than ever before and then fall so much further."

First, the rising part. "A Good Man Goes to War" is Doctor Who if it was done as a Star Wars space opera. It is massive. The huge cast features multiple heroes, villains, a space militia, a mysterious dark order and a colourful assortment of aliens and robots. There are explosions in space. There is a battle in a Star Warsy hangar. Betrayals, revenge, loss and hope. At the centre of it all is the Doctor, who is so powerful that the mention of his name sends enemies to flight.

To me, this story is Doctor Who fallen so far from what it should be.

In a way, I get it. When Star Wars first appeared on the scene with its big budget effects, casting, music and universe-building, Doctor Who suddenly looked like a shabby small screen cousin. I wonder if part of the new era's aggrandization of the Doctor and his aura is a reflection of the first two showrunners wanting to show that, yes, Doctor Who can be just as big and overwhelmingly Hollywood as any movie franchise.

I'm sure a lot of people liked this story and this direction for the show, but I didn't. I prefer the wandering madman in a box, exploring the universe and righting wrongs on a smaller scale, with one or two companions along for the adventure. Doctor Who as overblown space opera doesn't turn my crank.

Sarah - 

I’m with you Harry. I was looking forward to rewatching "A Good Man Goes to War" for the first time since it aired in 2011. I remembered it being a very busy story that wasn’t very satisfying for me. The big reveal that River is Melody Pond wasn’t much of a surprise by the time it happened. 

This episode is too much like the Doctor as a Jesus figure in the Tennant Era. All three showrunners have dabbled with the Doctor being the most important person in the universe. It’s just not interesting. 

Harry -

It's not interesting no matter which showrunner wants it to be.

Sarah -

I don’t have much else to say. Let’s go kill Hitler, or whatever.

Harry -

I'm of the let's-get-it-over-with mind there.

Sarah - 

Best Line: “He's the last of his kind. He looks young, but he's lived for hundreds and hundreds of years. And wherever they take you, Melody, however scared you are, I promise you, you will never be alone. Because this man is your father.”

Favorite Moment: Amy and Rory discussing Melody’s naming.

Lasting Image: The Doctor bringing the wooden cot from the TARDIS.

5/10

Harry -

Best Line: "I speak baby."

Favourite Moment: the Doctor's silly reaction to River's reveal.

Lasting Image: the hangar battle.

2/10

Our marathon continues with Story #219: Let's Kill Hitler...